Rowley Gallery Blog
We’ve a windowful of wonderful engravings from Beatrice Forshall for June and July. Many were used to illustrate her new book, a glorious celebration of life on Earth and a poignant reminder of the life we’ve extinguished. Continue reading “The Book Of Vanishing Species”
It’s April 2023, and I will be 70 years old. What better way to mark the occasion than to plant 70 trees, not in the ground, but in the window of the Rowley Gallery. I sent out a call to 70 artists and got lots of replies. I could plant a small forest. So here’s a small celebration of trees, of their variety and complexity, their shelter and enchantment, and all their green, filtered, numinous enlightenment. Continue reading “70 Trees”
A short film to introduce Beatrice Forshall’s beautiful new book of stories and engravings of species presently threatened with extinction. It also helps explain why we’ve not seen Bea for the past three years – out of reach, head down, focused. She makes small edition, fugitive prints that briefly capture the disappearing life around her. Tender images of the passing world.
Filmed by Temujin Doran of Studio Canoe for Bloomsbury Publishing.
※
Beatrice Forshall / The Rowley Gallery
A bright window packed with small beauties for these dark days, a fast-moving festive feast for the eyes. As works sell they will be replaced by more in an ongoing ever-changing pageant of delights. Continue reading “In The Bleak Midwinter”
This month our window is home to a gathering of wildlife. There were just a few creatures here to begin with, but as the days go by and word spreads, more and more are turning up to congregate and bear witness and share the spotlight of our communal window. It’s become a wildlife refuge. Continue reading “A Wildlife Window”
Beatrice Forshall working on a picture of an albatross surrounded by plastic debris she’s collected from the beach; a salutary warning against the the proliferation of throwaway plastic in our modern-day world. It’s an image made in response to Midway: A Message From The Gyre, a film that shows the toxic consequences of too much discarded plastic in the seas. Continue reading “Albatross”
Dear Chris, I have just designed the new EP cover for Cosmo Sheldrake. I thought you might be interested in including it in Frames of Reference. Thank you. All the very best, Bea. Continue reading “Pelicans We”
SNAP HQ, a cor-ten steel shed at Snape Maltings, nerve centre of the SNAP visual arts programme for this year’s Aldeburgh Festival, directing our gaze towards the great Suffolk sky. Continue reading “The Sky At Snape”
Two new prints just arrived from Beatrice Forshall, both drypoints printed from multiple plates in small editions and hand-coloured, which means they’re short-lived and not designed for mass production. It’s a form that suits the content, since these are images of endangered species. This tansy beetle is just a detail; for the complete picture, and Bea’s thoughts on the subject, please see below. Continue reading “Beetle, Crayfish & Mussel”
Beatrice Forshall’s hand-coloured drypoint engravings appear in the May/June issue of Resurgence magazine, illustrating an essay by Germaine Greer on the logical path from feminist to conservationist. Continue reading “Ecological Feminism”
