Over the last five years I have spent most of my time focused on painting forests around the world, often with the aim to highlight the destruction that is happening within them. It has taken me to some incredibly beautiful and majestic places, introduced me to plants and trees that I couldn’t have imagined. However, one of the most surprising things I came back with after my first trip to Brazil in 2015 was how I then saw my home landscape through a completely new set of eyes. I suddenly noticed the curls in the leaves and twists in the branches everywhere, moving me to paint them. And although my work is still mainly focused on global deforestation I now regularly paint outside in my home landscape in Suffolk. Continue reading “Painting In Suffolk”
Through The Trees
My primary interest in painting for the last 40 years has been how to depict and respond to a range of landscapes. Before I can begin to think about painting a place, there has to be a specific reason to do so, and the place must have a particular resonance with me. My recent work can be divided up into three groups: paintings of Tuscany and Umbria, paintings of Andalucía and paintings of the Thames Estuary around the RSPB reserve at Rainham Marsh, not too far from my home. Continue reading “What Is Paintable?”
photo: Alastair Grant
Kai arrived at The Rowley Gallery over 30 years ago, I can’t be sure of the exact date, but her name back then was Kathy. And to all who knew her in pre-Rowley days she always remained Kathy. But there was already another Cathy at The Rowley Gallery so she abbreviated her name to Ka. That was her Chinese name. But pronounced Kai, so that was how she spelt it thereafter. To avoid confusion. Continue reading “For Kai”
For March we’ve got a wonderful new window display of paintings by Debbie George, a garden of spring flowers to enliven these grey, wet days. We’re hoping they’ll work their magic and inspire the sun to shine again, and transform our winter weary street with a carnival of colourful new life. Continue reading “Spring Paintings”
A Rowley Gallery window by Emi Shinmura, a memento of her time spent in Japan, learning about traditional carpentry, cutting joints and making sculptures, absorbing the spirit of the forest. Continue reading “Kokeshi”
Oil paintings by Marcel Gatteaux in the window of the Rowley Gallery throughout January, shining their warm colourful light on a cold grey Kensington Church Street. A winter window of summer sun. Continue reading “A Winter Window Of Summer Sun”
A windowful of pots, painted pots by David Stubbs and thrown pots by Chris Keenan, cool paintings, tactile vessels, handmade studies in repetition and variation, they’re all the result of a purposeful ritual and a prolonged gaze. Reflections of the artists’ hand and eye. Look closely and you’ll see me taking the photograph with one of David’s painted pots! Continue reading “November Pots”
A small collection of work by Chris Kenny in the window of The Rowley Gallery
Paintings in gouache and ink produced in Provence over the last five summers, each initiated by the biography of a saint, extending the Instagram @twigsaints project.
Constructions employing found materials – cut hardback book covers and twigs – that act as dynamic three-dimensional drawings provoking a range of associations without adhering to any explicit subject.
Chris Kenny has work in many collections including the British Museum, the V&A and the Museum of London. He is currently exhibiting at Mucem in Marseille. Continue reading “Scenes From The Lives Of The Saints”
Twelve framed hand-coloured linocuts by Liz Somerville in our window throughout August and September. They’re part of a suite of 48 prints called The Ways, celebrating four ancient paths through England. There’s also a limited edition concertina booklet of all the images in miniature. Continue reading “The Ways”
And three parrots. Our window this month at the Rowley Gallery is home to a diverse flock of brightly coloured miniature tropical birds. It’s an aviary of twelve unique life-size watercolour paintings. The parrots are screen prints. And they are all by Fanny Shorter, whose work we have been lucky enough to show for the past ten years now, during which time she has developed from a printmaker of exquisite little birds and fishes into an internationally renowned textile designer. So it was a great pleasure to ask her to make twelve little paintings, just for a change. Continue reading “Twelve Little Birds”