For Kai

photo: Alastair Grant

Kai arrived at The Rowley Gallery over 30 years ago, I can’t be sure of the exact date, but her name back then was Kathy. And to all who knew her in pre-Rowley days she always remained Kathy. But there was already another Cathy at The Rowley Gallery so she abbreviated her name to Ka. That was her Chinese name. But pronounced Kai, so that was how she spelt it thereafter. To avoid confusion. Continue reading “For Kai”

Frames of reference

In The Bleak Midwinter


A bright window packed with small beauties for these dark days, a fast-moving festive feast for the eyes. As works sell they will be replaced by more in an ongoing ever-changing pageant of delights.  Continue reading “In The Bleak Midwinter”

Frames of reference

Six From David Wiseman

David Wiseman brought us some new work, more tales of the riverbank, rich with the tangled delights of branches and lights, the sparkle-dance of leaves and water, ripples and shadows like liquid music. Look out for David’s paintings in the forthcoming Arborealists exhibition at the Nature in Art Gallery, Twigworth, Gloucestershire and then later in the year at Poitiers in France. Continue reading “Six From David Wiseman”

Frames of reference

My Garden Studio

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I built my large wooden studio in our garden more than 30 years ago. I previously had a number of productive and happy years sharing a studio in Holborn with Graham Crowley, Vanessa Jackson and others. But when the men in suits with laser rulers came round we knew our days in the studio were numbered. The building owned by the church was to be converted to flats. So with the help of a few friends, including very fortuitously a master carpenter and an architect, I decided to build my own. Continue reading “My Garden Studio”

Frames of reference

Garden Of Delights

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In 1987 I was commissioned by Ian Simpson Architects to make a ceiling mural for the new entrance lobby at Charing Cross Hospital, Hammersmith as part of a major refurbishment of the ground floor. It took more than a year to complete and was finally installed in 1989 after I had also worked on the mural while it was up on the ceiling. Continue reading “Garden Of Delights”

Frames of reference

Abstracting From The Landscape

Early Summer, Pitshanger Riverside  100x76  acrylic on   canvas_edited-1

My article appeared recently in the August issue of The Artist magazine. This is the first time I have been asked to write such an article and I was concerned about how my text would be edited etc. But they did this very well and I am very pleased with the way it looks. Continue reading “Abstracting From The Landscape”

Frames of reference

Juliette Losq & David Wiseman

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This interview originally appeared in the London Group Newsletter.

JL – We share in common a childhood in Essex (with parents moving out from London). Do you think that growing up in this semi-rural / suburban environment has influenced your work, or experiences as an artist in general?

DW – I was brought up on one of the first sprawling council estates to be built in Essex, in the also newly built Basildon New Town. But we were surrounded by countryside and spent all our free time as kids outside, summer and winter. I remember there were special mysterious woodland places, special trees and streams that you grew up with so I suppose this may have had an influence. Continue reading “Juliette Losq & David Wiseman”

Frames of reference