Pharoah | Fall

I just found this, posted a year ago:

Choosing to remain in the shadows, and always searching for the perfect reed, saxophonist Pharoah Sanders is one of the unspoken giants of jazz. He is one of the few musicians to have had the honor, and virtuosity, of playing alongside musical legends Sun Ra, John and Alice Coltrane, Don Cherry, and Ornette Coleman. Together they transformed the landscape of jazz by rewriting the rules of harmony and rhythm.   Continue reading “Pharoah | Fall”

Frames of reference

Gymnopédie No.1

Alexandre Tharaud joue la Gymnopédie No.1 d’Erik Satie au coeur du musée.   Continue reading “Gymnopédie No.1”

Frames of reference

The Story Of The Skids

There was an exhibition of the illustrations for this book at Fire Station Creative in Dunfermline, Fife. Tomorrow night there’s a book launch at Vout-O-Reenee’s in Bethnal Green, London. There are some words below from Jonny Hannah, but at the time of writing, alas, no pictures just yet. Maybe we’ll see some later. Continue reading “The Story Of The Skids”

Frames of reference

Eddie & Elsie

“A friend of Nick’s, brilliant Irish filmmaker Myles O’Reilly, has made a beautiful short film with our new song To The Island as a soundtrack. It introduces an inspiring couple, lifelong partners Eddie and Elsie, with wise words about love, nature and dreams. It’s so hopeful and tender. We should take their words and their world to heart.” – Neil Finn (Crowded House)

Crowded House: To The Island – Myles O’Reilly’s Arbutus Yarns

Frames of reference

Miles Davis Quintet

Miles Davis Quintet, Teatro dell’Arte, Milan, Italy, October 11th, 1964 (Colorized)

Miles Davis (trumpet), Wayne Shorter (sax), Herbie Hancock (piano), Ron Carter (bass), Tony Williams (drums)

Autumn Leaves 00:00, My Funny Valentine 15:07, All Blues 26:33, All of You 40:13, Joshua 50:47

Frames of reference

Bill Frisell Trio

In an age of so much processed and homogenised pop mush it’s a joy to find some honest to goodness musicians playing and listening and making it up as they go along, with lots of fun and empathy and grace. What the world needs now is Bill Frisell, Thomas Morgan and Rudy Royston.

Frames of reference

Murder Most Foul

A combination of chopped-up newsreel and fever dream, “Murder Most Foul” is Bob Dylan’s most striking piece of work in years. This is the author of “Desolation Row” populating a 17-minute song with a lifetime of remembered cultural fragments, zooming out and panning back and forth from the single pivotal event of the Kennedy assassination, plucking references out of the heavy air.

An eloquent introduction by Richard Williams from just over a year ago. Read the rest of it here – thebluemoment.com.

Frames of reference