Epping Long Green (2)

We first discovered Epping Long Green a week ago – Epping Long Green (1) – but then realised we’d only seen a part of it, so today we came back to explore its full length. We started from Epping Green and walked west, retracing our steps from last week as far as this fingerpost. Then we turned around and walked back and continued east to the furthest extent before returning to where we started from. But not before a quick figure-of-eight turnaround in the woods. Continue reading “Epping Long Green (2)”

Frames of reference

Sowing Seeds

In January I went to live and work in a small tribal village called Badanga in Rajasthan, India, along with international and national artists for two weeks. We were all selected to participate in the annual Sowing Seeds residency program, which has been hosted in different towns of Rajasthan for the past seven years. This was the first to be run at the farmhouse of Chiman Dangi, artist and founder of Sowing Seeds.  The whole village, especially the children, were very excited. Continue reading “Sowing Seeds”

Frames of reference

What Is Paintable?

Through The Trees

My primary interest in painting for the last 40 years has been how to depict and respond to a range of landscapes. Before I can begin to think about painting a place, there has to be a specific reason to do so, and the place must have a particular resonance with me. My recent work can be divided up into three groups: paintings of Tuscany and Umbria, paintings of Andalucía and paintings of the Thames Estuary around the RSPB reserve at Rainham Marsh, not too far from my home. Continue reading “What Is Paintable?”

Frames of reference

The Empty Streets

A friend kept phoning us in the mornings of late April and early May. She was, rather against her will, still gallantly fulfilling her duties at an office in Oxford Street. She disliked being there and feared the possible consequences in mid-pandemic. But the reason she kept phoning was to tell of her exuberance in the early mornings at being able to walk the length of Regent Street alone and in the middle of the street. She described the complete peace and quiet in the utterly empty street free of people, free of traffic. Continue reading “The Empty Streets”

Frames of reference

Pantalica

Sitting here on lockdown, having earlier walked our prescribed exercise route, carefully plotted through burgeoning local parks and side roads, the trees and hedges heavy with blossom and alive with birdsong, more-so it seems than ever this year. Strange contrast with the quiet tragedy unfolding around us, the closed doors and closed curtains and the quiet ambulances in the streets. I’m itchy to be away from here but there’s nowhere to go. So I’m looking back through old photos and I find myself in Sicily, two years ago when we were free to go wherever we pleased. We were staying in Syracuse, on the island of Ortigia, and each day we went off in a different direction. On this day we headed inland, due west to the ancient prehistoric site of Pantalica. Continue reading “Pantalica”

Frames of reference

Chasing Shadows

We’d been told to stay indoors and not go out, except for exercise and if so to stay two metres apart, breathe fresh air, think separate thoughts and cast our own shadows. Stay safe, take care and not go viral. It was the sunniest Sunday I’d seen in ages, the car parks of Epping Forest were overflowing, all of us fleeing the city to escape the epidemic. That’s how it felt, as if there was protection here. Continue reading “Chasing Shadows”

Frames of reference

From Saint-Florent

Earlier last year we were in Corsica again, this time staying in St-Florent. Our house was on the edge of the town, with a view eastward across a field to the ancient cathedral and the hills and mountains beyond. This was the heart of the Roman town, before the Genoese new town developed on the coast. Continue reading “From Saint-Florent”

Frames of reference

A Winter Window Of Summer Sun

Oil paintings by Marcel Gatteaux in the window of the Rowley Gallery throughout January, shining their warm colourful light on a cold grey Kensington Church Street. A winter window of summer sun. Continue reading “A Winter Window Of Summer Sun”

Frames of reference

One Last Day In Ortigia

This time last year we’d recently returned from Sicily, and two sultry weeks in Ortigia, where the balcony of our apartment looked out over the sea. We watched through our crystal ball, waiting each day for a breeze, but the sailing boats passed by inverted, the air was still and we were becalmed. Continue reading “One Last Day In Ortigia”

Frames of reference

Wake Valley

I worry sometimes that I can’t take a walk without taking a photograph. The plan today was for a quick visit to Epping Forest then back home again via the supermarket. But we came to a part of the forest we’d not seen before, and I was like a dog released from the car, excitedly running and snapping my camera in wild abandon. I’m just so energised by the light in these trees. Continue reading “Wake Valley”

Frames of reference