Epping Long Green (2)

We first discovered Epping Long Green a week ago – Epping Long Green (1) – but then realised we’d only seen a part of it, so today we came back to explore its full length. We started from Epping Green and walked west, retracing our steps from last week as far as this fingerpost. Then we turned around and walked back and continued east to the furthest extent before returning to where we started from. But not before a quick figure-of-eight turnaround in the woods. Continue reading “Epping Long Green (2)”

Frames of reference

Painting In Suffolk

Over the last five years I have spent most of my time focused on painting forests around the world, often with the aim to highlight the destruction that is happening within them. It has taken me to some incredibly beautiful and majestic places, introduced me to plants and trees that I couldn’t have imagined. However, one of the most surprising things I came back with after my first trip to Brazil in 2015 was how I then saw my home landscape through a completely new set of eyes. I suddenly noticed the curls in the leaves and twists in the branches everywhere, moving me to paint them. And although my work is still mainly focused on global deforestation I now regularly paint outside in my home landscape in Suffolk. Continue reading “Painting In Suffolk”

Frames of reference

Epping Long Green (1)

Epping Forest was busy. There was plenty of space for everyone to walk comfortably, but it seemed like social distancing among the trees had become the new normal, and the car parks were all full. Previously, as a last resort, we’d parked on the roadside at Baldwin’s Hill. The bonus was a glass of beer from the doorway of the Foresters Arms, before plunging downhill into the forest for a gently meandering walk along Loughton Brook. But today it felt safer to avoid the crowds, and instead of going into the centre of the forest, I looked for somewhere quieter on the outskirts. Continue reading “Epping Long Green (1)”

Frames of reference

Spring Paintings

For March we’ve got a wonderful new window display of paintings by Debbie George, a garden of spring flowers to enliven these grey, wet days. We’re hoping they’ll work their magic and inspire the sun to shine again, and transform our winter weary street with a carnival of colourful new life. Continue reading “Spring Paintings”

Frames of reference

Comfrey & Coggeshall Grange Barn

The plan was to take a circular walk from Kelvedon to Coggeshall and back again via Feering through gentle Essex farming countryside. That was the promise of the guidebook, Walks In The Country Near London, but it had slept on our bookshelf since 2003 and it needed waking up. Or perhaps it’s fairer to say we needed waking up, because it seemed like we stumbled and fell at the first hurdle. Continue reading “Comfrey & Coggeshall Grange Barn”

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Primavera

We’ve got a whole host of springtime in our window for May, paintings made earlier this year by Annabel Keatley in Andalucia where she lives, soaking up the light and the colours and the heat of southern Spain, absorbing, extracting, expressing it all in her joyful pictures. “There are two Springs here, one in January and February when the almond blossom is in flower, and now, when most of the wildflowers are out… So it was the first Spring when I painted most of this series…” Continue reading “Primavera”

Frames of reference

Tewin & Back Again

Lower Green at Tewin, a pretty village midway between Welwyn and Hertford, 30 miles north of London and the perfect place for a circular countryside walk. We parked beside the green and just as I stepped out a football came flying past, but too quick for me to kick back, it continued into the road and lodged itself under our car. Which is why this picture appears so tranquil. The hectic to and fro momentarily interrupted. “Please mister, can we have our ball back?” Continue reading “Tewin & Back Again”

Frames of reference

Iford Manor

It was a chance discovery, and a beautiful surprise. We were in Bristol for the weekend, looking for a day trip. We consulted the National Trust handbook and Westwood Manor near Bradford on Avon seemed promising, but when we got there we found it was closed. So we carried on down the road, a narrow single-track lane that became evermore enclosed by trees, swallowing us up into its holloway and finally spitting us out into the valley of the Frome river. Continue reading “Iford Manor”

Frames of reference

A Small Forest

A new window display at The Rowley Gallery by Christopher Corr. We asked him to paint a few trees. A Corr forest, or simply a Corr fest. And each of the four free-standing trees have a painting on each of their four sides, so maybe it’s a fourest of Corrs. Four corrners of the fourest. I’ll stop now. Continue reading “A Small Forest”

Frames of reference

Dancersend

May Bank Holiday weekend, on Bottom Road between Tring and Wendover, a single-track road winding through green tunnels and burrowing deep into the Chilterns. We drive the full length of it searching for Dancersend Nature Reserve, without success, and without meeting another vehicle. It’s a quiet secluded stretch of bucolic country lane, absorbing us into its depths and hollows, where overgrown signposts are easily overlooked. Eventually we turn around and head back. Continue reading “Dancersend”

Frames of reference