For February we’ve a window of richly coloured paintings by Isobel Johnstone. Unfortunately the gallery is still closed, but we’re back in the workshop again, and socially distanced purchases and collections can easily be arranged by phone. Come and see. It’s a feast for the eyes. Continue reading “Oil Paintings by Isobel Johnstone”
The Dorset Coast: from Chesil Beach to the Isle of Purbeck.
Living in south west Wiltshire I am frequently drawn to neighbouring Dorset to walk some of the paths along its geologically varied coastline. I like to draw or paint on location, and I subsequently develop a number of my observations into wood engravings or linocuts. Both are methods of making relief prints, the former being a very English art form developed by Thomas Bewick in the 18th Century, where the engraving is made on highly polished end grain boxwood, which on completion is inked with a roller and printed by hand, in my case using an Albion Press made in 1862. Continue reading “The Dorset Coast”
We’ve got a new window display for October – Open Country: Wood Engravings of the Wessex Downs and Coast by Howard Phipps. It’s a display that celebrates Howard’s love of the West Country and Dorset in particular. These are patiently wrought images, slow-grown evocations carved in wood and printed in exquisite detail, they always seem to capture the essential timeless spirit of each particular place depicted. Continue reading “Open Country”
Twelve framed hand-coloured linocuts by Liz Somerville in our window throughout August and September. They’re part of a suite of 48 prints called The Ways, celebrating four ancient paths through England. There’s also a limited edition concertina booklet of all the images in miniature. Continue reading “The Ways”
This little booklet is no bigger than a postcard. It’s a pocket book. It was published in 1989 for a joint exhibition of drawings by John Hubbard and photographs by Paul Joyce at the Royal Festival Hall. The exhibition toured to other venues, including Warwick Arts Centre. I didn’t see the exhibition but fortunately I found this book, another discovery in the treasure house that was Notting Hill Books. For many years its tiny reproductions were my only knowledge of John Hubbard’s charcoal drawings, until I saw his exhibition at Kew Gardens in 2006, Spirit of Trees, which included some of the drawings reproduced here. I found this book again today and felt moved to share its pages. Continue reading “Delicious Solitude”
Win Green From Berwick Down
We asked Howard Phipps to fill our window with a display of his wood engravings and linocuts. So it seemed like a good idea to go down and collect them, and take a walk around some of the places that had inspired them. We followed a circuit up to Win Green, a prominent landmark and the highest point in Cranborne Chase, crowned by a clump of beech trees on a Bronze Age bowl barrow. Continue reading “To Win Green”
We just received a wonderful gift in the post. A message from beyond the grave. Before his death in January last year, John Hubbard had been putting together what he liked to call his self-curated retrospective; a collection of images with commentaries from his diary gathered together in a book celebrating his lifelong devotion to painting. Remaking Landscape is a thing of beauty. Continue reading “Remaking Landscape”
Tucked away in a hidden valley, garden writer and author Anna Pavord’s carefully considered patch nestles up to the surrounding Dorset countryside. “I wanted to make a handshake between the garden and the wider landscape.”
Having originally met Pavord at a Wakefield and Northern Tulip Society show, photographer and filmmaker Howard Sooley first visited Sunnyside Farm as it was being laid out some ten years ago and is still charmed by its Through the Looking Glass qualities. “It’s as if there is a series of doors leading you from one room to the next with signs telling you to drink the potion,” notes the director.
Such are the rich textures, punctuated by bursts of colour from the shifting tulip, iris, peony moments, and packed with Pavord’s botanical fixations and experimentations… “Even though there is a lot going on, there’s this incredible sense of calmness – the garden never excludes the landscape, it’s always welcoming,” says Sooley.
I seem always to have been drawn to trees as a motif in the landscape, possibly because of their strong architectural forms. There are parallels as I am also interested in interior space, and as with interlinking rooms I find receding pathways compelling in the way the eye is taken through the picture plane. Continue reading “Ox Drove”
This short film was made for the exhibition, Littoral: John Hubbard in Context at the Luther Brady Gallery in Washington, D.C. in 2013. “People found it fascinating to learn more about where he lives and how he works. His singing was quite a revelation.” It’s a lovely portrait and a touching memorial to a deeply romantic artist. John Hubbard died on 6th January 2017. He was 85. Continue reading “For John Hubbard”