Wytham Woods Days

There have been days of light
There have been days of wind
There have been days of cold fingers
There have been days of leaf-dance
There have been days of silent watching
There have been days of flying crows
There have been days of chill wind
and warm breezes. Continue reading “Wytham Woods Days”

Frames of reference

Ayot & Ayot Again

Three weeks later and we were back again, to begin again, this time from Ayot St Lawrence instead of Wheathampstead. It was early October and the wasps were still browsing drowsy on the ivy. Continue reading “Ayot & Ayot Again”

Frames of reference

Wheathampstead & Back Again

The River Lea at Mill Bridge in Wheathampstead one day last September. Another walk from the between lockdown daze. It seemed we were always walking back then, but nowadaze it’s let your fingers do the walking, typing keyboard dreams of freedom, stuck indoors again. Continue reading “Wheathampstead & Back Again”

Frames of reference

Hatfield Forest

Another Covid walk, this time back in early September last year. We’d been wondering about returning to Hatfield Forest for months, but each time we checked the National Trust website we were discouraged from visiting. The car park had to be booked in advance, and whenever we tried it appeared to be full. You will be turned away if you arrive without booking. So, in the end, we decided to drive to the nearby village of Hatfield Broad Oak and walk to the forest from there. Continue reading “Hatfield Forest”

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Newport, Widdington & Debden

We crossed the footbridge at Newport railway station, over the West Anglia Main Line between Elsenham and Audley End, forty miles north along the route from London Liverpool Street to Cambridge. The track was quiet, the train had just disappeared and taken all the noise and commotion with it. We were left with a few bubbles of birdsong in its wake. Continue reading “Newport, Widdington & Debden”

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Oil Paintings by Isobel Johnstone

For February we’ve a window of richly coloured paintings by Isobel Johnstone. Unfortunately the gallery is still closed, but we’re back in the workshop again, and socially distanced purchases and collections can easily be arranged by phone. Come and see. It’s a feast for the eyes. Continue reading “Oil Paintings by Isobel Johnstone”

Frames of reference

Galley Hill Green

A way-sign lost in the brambles, another signpost in the passage of time. The year telescopes down with each remembered walk swallowed up by the next one. The days are condensed, each shorter than the last (now getting longer), summer sunshine stored away to illuminate winter hibernation. Continue reading “Galley Hill Green”

Frames of reference

The Kinetic Xylophone

A ball rolls down a mile-long ladder of wooden steps, which are in fact the keys of a giant xylophone, hidden in the forest in Kyushu, Japan. As it trips down the staircase, the ball plays the notes of Bach’s famous Cantata 147 – Jesu, Joy of Man’s Desiring. A gentle rejoicing melody for Christmas. This film was made in 2012 to advertise Touch Wood mobile phones.

Frames of reference

A Winter Windowland

It’s like a compilation album with hits from all your favourite artists. They just take a bit of finding. And whilst you’re looking you might discover something new, something previously overlooked. You might even need to come inside and look around. But quick, it’s getting late. Continue reading “A Winter Windowland”

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Just Like Trees

Skinny. Frail. Feeble. Twigs. Using the weakest part of the forest, this is a story of beauty and strength like you’ve never seen it before.

For a 2020 pro bono campaign with the American Forest Foundation, KSV recently partnered with London-based mixed media artist Chris Kenny to use his Twig Saint creations to humanize trees and the threats they’re up against.

American Forest Foundation

Chris Kenny

Frames of reference