Rowley Gallery Blog
A short film to introduce Beatrice Forshall’s beautiful new book of stories and engravings of species presently threatened with extinction. It also helps explain why we’ve not seen Bea for the past three years – out of reach, head down, focused. She makes small edition, fugitive prints that briefly capture the disappearing life around her. Tender images of the passing world.
Filmed by Temujin Doran of Studio Canoe for Bloomsbury Publishing.
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Beatrice Forshall / The Rowley Gallery
Watercolours Liz Somerville
Eggardon Hill is an Iron Age hill fort to the north-east of Bridport in Dorset. I live on a farm half-way up it; the hill dominates the landscape behind us and in front there is a far-reaching view across Lyme Bay to Devon. My studio looks directly out on to Eggardon, the window at the back perfectly frames it. Continue reading “An Eggardon Summer”
There’s a new exhibition in The Rowley Gallery window – eighteen freshly picked watercolours from Fanny Shorter’s garden. She dressed the window with her Mill Oak fabric and Margo wallpaper and arranged her flowers in what is now The Rowley Gallery garden. And she also wrote a blogpost… Continue reading “Flowers From A London Garden”
Jelly Green has brought us a windowful of wonders. Tour buses also bring sightseers to look at it. It’s a garden of delights. This time last year she was heavy with child, and as an expectant mother she’d been advised not to have the Covid vaccination. So she was staying clear of infection by keeping a low profile, waiting in lockdown, but still busy and venturing out into the woods and the quiet places to paint, and to paint, and to paint… Continue reading “The Wild Edges”
A new window display for the merry month of May. It’s an exhibition of linocuts by Linda Farquharson. Images of the Goddess. Reflections of her various aspects. To take this photograph I had to wait for a passing truck to block out all the more prosaic reflections of the street. Continue reading “The Earth Goddess”
The North House Gallery is located at The Walls in Manningtree, Essex where it overlooks the estuary of the River Stour. It is within good walking distance along the riverbank of Flatford and Dedham and other picturesque beauty spots favoured by John Constable. It was once the home of the artist Blair Hughes-Stanton, and is now run as a gallery by his daughter Penelope. Continue reading “North House Gallery”
These ancient yew trees are in the churchyard at Hawkley in Hampshire. I’d discovered them via the Ancient Tree Inventory. We’d come down from London to meet Howard Phipps who was coming up from Salisbury with a windowful of wood engravings in the back of his car. And surprisingly we got there first, so I went looking for trees. Continue reading “A Walk From Hawkley”
We’ve a windowful of wood engravings and linocuts from Howard Phipps. They’re all in black & white but get in close and see the detail and they’re as colourful as you could wish for. Continue reading “A March Window”
Club d’Elf: Dervish Dance (traditional Sufi, arr. by Mike Rivard)
Sand animation by Kseniya Simonova
Musicians:
Brahim Fribgane: oud, hand drum
John Medeski: keyboards
David Fiuczynski: guitars
Mister Rourke: turntables
Mike Rivard: double bass, tamboura
Dean Johnston: drums
We received a flying visit from a group of whirling dervishes. They came and went in a flurry and a spin and were gone almost as soon as they arrived. Continue reading “Whirling”