A Taste Of Apocalypse

There’s been a lot in the media recently about 2012 being the year of apocalypse or some sort of catastrophic change predicted in the Mayan calendar. Last summer, instead of our usual holiday to Gozo where I paint my beach scenes, we house-swapped for three weeks in the French Pyrenean town of Quillan and discovered the neighbouring village of Bugarach. Property prices there have gone sky high after thousands of people flocked to the area believing the nearby mountain to be the only place on earth to be spared this ‘apocalypse’. Apparently in 2011, the local mayor began voicing fears to the international press that the small town would be overwhelmed by thousands of visitors in 2012, even suggesting he may call in the army. Continue reading “A Taste Of Apocalypse”

Frames of reference

For Lucian Freud

This is weird. Straightaway Kensington rooftops then a glimpse through a window, as if I’d seen it before. These people are familiar. We see them on the street, in the newsagent, in those boots sometimes, shuffling. Why the hawk? A Peregrine Falcon? Keen eyes and full of energy. I had no idea this film existed until I stumbled upon it today, so now I will share it. Continue reading “For Lucian Freud”

Frames of reference

Wallace Collection Frames

On a recent visit to the Wallace Collection I was lucky enough to get to see inside the lecture theatre on the lower ground floor, where they display some of their historic collection of picture frames. Many of them original frames for paintings on the floors above, now exhibited in new frames. Continue reading “Wallace Collection Frames”

Frames of reference

Seeing Double

Phoebe and Lydia Lake are artists. They’re also identical twins, which means they know a thing or two about symmetry. So last year, when they were 20 years old, the Tate Britain decided to film their first encounter with one of the museum’s most famous holdings, The Cholmondley Ladies, painted sometime around 1600-1610 by an unknown artist. An inscription describes the ladies as members of the Cholmondley family (pronounced “Chumley”) who were born on the same day, married on the same day and “brought to bed” (gave birth) on the same day. Continue reading “Seeing Double”

Frames of reference

Paintings From The 1960s

A group of paintings by John Hubbard made during the 1960s will be exhibited at the New Art Centre near Salisbury, from 4 February until 15 April. His work from this time, though based on landscape, was essentialy dealing with atmosphere and the movement of light, rather than any specific feature of the landscape. He quotes Turner’s words, saying he was trying to consider “every part as receiving and emitting rays to every surrounding surface”. Continue reading “Paintings From The 1960s”

Frames of reference

Mexican Miracle Paintings

Today I passed by the Wellcome Collection on Euston Road in London and noticed a banner advertising Mexican Miracle Paintings, an exhibition that opened in October 2011. I don’t know why I’d not seen it before. I pass by here frequently. It looks like a great exhibition. Continue reading “Mexican Miracle Paintings”

Frames of reference

Golden Spider Silk

I woke last Friday morning to the gentle sounds of James Naughtie and Evan Davis and the amazing story of a cape of golden cloth woven from the silk of over a million spiders. Like something worthy of Jason and the Argonauts. The silk was harvested from female Golden Orb Spiders by 80 people over seven years in the highlands of Madagascar. The cape, together with a four metre long scarf, is being exhibited at the Victoria & Albert Museum. You can see more pictures and listen again to the story here on the Today programme website. Continue reading “Golden Spider Silk”

Frames of reference

Metropolis II

This is a beautifully made short film about a kinetic sculpture by Chris Burden that took four years to build. It was filmed in his studio prior to being installed at the Los Angeles County Museum of Art, where it opened last Saturday. It’s a wonderfully choreographed vision of modern city travel. Continue reading “Metropolis II”

Frames of reference

Brangwyn’s Frieze

This is The Rowley Gallery in 1933. Business must have been good. It had expanded from a single shop at 140 to double the size at 140-142 Church Street, and the facade had been rebuilt featuring a carved frieze by Frank Brangwyn depicting life size sawyers, painters and carpenters. Continue reading “Brangwyn’s Frieze”

Frames of reference