From Moore To Serra

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Henry Moore’s Large Spindle Piece, a cast bronze sculpture from 1974, now installed in the newly reappointed King’s Cross Square. For the past forty years the station was hidden behind an “awful tin shed” temporary canopy. It’s eventual removal, and the long overdue revelation of Lewis Cubitt’s elegant facade, is celebrated by the arrival of this captive “flying shuttle”. Continue reading “From Moore To Serra”

Frames of reference

Stations Of The Crossing

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This railway bridge on Wightman Road crosses the Gospel Oak to Barking Line just as it passes under the East Coast Main Line out of Finsbury Park. I regularly cross this bridge, either going to work or coming home and many times I just sit here in a queue of traffic, but the view is often mesmerising, especially when the sun is shining on these timeworn panels of blistered paint. Continue reading “Stations Of The Crossing”

Frames of reference

Villa Panza

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Villa Panza is a grand 18th century mansion in the hillside suburb of Biumo Superiore, overlooking the city of Varese. It was the home of Count Giuseppe Panza, art collector and a great champion of Minimalist and Conceptual Art. He bought his first painting in 1956, by Antoni Tàpies and in 1966 he began collecting work by Brice Marden, Richard Serra and James Turrell. In 1996 the house was donated to the nation and opened to the public after major restoration work in 2000. Continue reading “Villa Panza”

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I AMsterdam

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We took a half-term weekend break to Amsterdam. It seemed like the city was being relaunched and rebranded/rembrandted. The Rijksmuseum reopened in April following an unprecedented 10 year renovation, the Stedelijk Museum reopened last year after a 9 year refurbishment, and 2013 marks 400 years since construction began on the city’s iconic canals. Continue reading “I AMsterdam”

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Château La Coste

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Château la Coste is a vineyard 15km north of Aix-en-Provence which, since 2004, has become home to a remarkable collection of art and architecture. Signs have been kept to a minimum and the entrance was not immediately obvious, but we eventually found our way to the elegant, new art centre designed by Tadao Ando and emerged alongside Crouching Spider by Louise Bourgeois. Continue reading “Château La Coste”

Frames of reference