Beijing Silvermine

Beijing Silvermine is a unique photographic portrait of the capital and the life of its inhabitants following the Cultural Revolution. It covers a period of 20 years, from 1985, namely when silver film started being used massively in China, to 2005, when digital photography started taking over. These 20 years are those of China’s economic opening, when people started prospering, travelling, consuming, having fun. instagram.com/beijing_silvermine

Frames of reference

Alien Spacecraft Strike Terror Into The Hearts Of Art-Loving Londoners!

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As we learned from the books of our childhood, alien fleets of spacecraft always invade London by flying up the Thames. The aliens know from their knowledge of British popular culture that the public links the threat of enemy action with the image of St Paul’s standing firm and reassuring against the invaders. And strange spaceships were always depicted as smoothly shaped craft, devoid of the oddities and quirks of our own aircraft or rockets. Concorde was the only one we ever built which could be said to have an alien sheen. Continue reading “Alien Spacecraft Strike Terror Into The Hearts Of Art-Loving Londoners!”

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Another Look At Lucca

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Lucca was our nearest and most favourite city this summer. We visited many other places but often ended up here and we got to know it better each time. This was my first photo in Lucca, in Piazza Anfiteatro – a ramshackle circuit of medieval buildings, it incorporates elements of the Roman amphitheatre that once stood here – and there’s always another photographer in the middle. Continue reading “Another Look At Lucca”

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A September Garden

Echinacea

Echinacea

Although I consider we’re on the downward slope now into winter I do love this time of year. Rich autumnal colours and bright spangly berries are beginning to appear, though we’re not quite there yet – next month will be the firework display. Meanwhile, here’s a chance to enjoy some late summer flowering plants. Continue reading “A September Garden”

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Das Meisterstück

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Das Meisterstück (The Masterpiece) is an exhibition of large format photographs of painters’ palettes by Matthias Schaller at the Refectory, Fondazione Giorgio Cini, Island of San Giorgio Maggiore, Venice, May 8-June 7. Maybe he saw our earlier blog post, Palettes! This one is JMW Turner and it’s impossible not to see resemblances between it and his paintings. Like looking at a dog and its owner. Continue reading “Das Meisterstück”

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La Grotte Chauvet

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The Chauvet Cave in the Ardèche region of southern France was discovered in 1994. It contains the most perfect examples of Paleolithic paintings ever found. But they are considered so fragile they must remain hidden from view. Copies of the paintings have been recreated and they can now be seen in a full-scale replica cave above the town of Vallon-Pont-d’Arc. A gallery of simulacra of some of the most authentic paintings in the world; it’s an unsettling idea. Continue reading “La Grotte Chauvet”

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Thesis & Antithesis

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This might be a curio best forgotten, an embarrassing piece of juvenilia. Forty years ago this was my final year thesis at art school. Nowadays it would be called a dissertation. But really it was just an annotated photo album. I’d found a stripey beach towel which became a sort of security blanket for a while, it seemed emblematic of the striped abstract paintings I was making and I photographed it wherever I went. I put all the photos together in a book with lots of random quotes as if I’d swallowed a library, or more likely the Whole Earth Catalog and An Index Of Possibilities. It was all very 1970s and very pretentious, but what really strikes me today is how much it resembles a prototype blog post. Continue reading “Thesis & Antithesis”

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