Little Village

We’ve got a fresh window display at The Rowley Gallery, full of bright new paintings by Anne Davies. Blocks of colour stacked like walls, their stones inscribed and daubed with patterns of lichens and mosses that turn into streets and trees and fields and houses. Lyrical maps of remembered journeys. Continue reading “Little Village”

Frames of reference

Passeggiata In Ortigia

passeggiata /ˌpasɛˈdʒɑːtə/ noun (especially in Italy or Italian-speaking areas) a leisurely walk or stroll, especially one taken in the evening for the purpose of socializing.”

Ortigia is a small island, just under 1km square, attached to the Sicilian city of Syracuse by three road bridges. “It forms the charming old town, best explored on foot and certainly the most pleasant place to stay in the city.” We were there for two weeks this summer and during our stay we discovered many circuitous routes as we strolled around its maze of ancient streets and alleyways. Continue reading “Passeggiata In Ortigia”

Frames of reference

In Cambridge

As we walked into town we passed the back wall of Emmanuel College, overseen by the great Oriental Plane tree, Platanus orientalis, growing in the Fellows’ Garden. We tried to get a closer look but since neither of us are college fellows we had to be content to view it from a distance. Continue reading “In Cambridge”

Frames of reference

Wychling Wood

I saw this on an OS map and couldn’t not investigate. A place of worship symbol in the middle of bloody nowhere on the edge of a wood. It was a foggy, atmospheric day up on the North Downs, so I decided to walk three sides of a square through the wood to reach it. Continue reading “Wychling Wood”

Frames of reference

Chapelle St Jean

A remembrance of last summer, a walk in the shade of olive trees and holm oaks, a green daze for these grey days, a sequence of photos one after another, mementoes of footsteps along a wooded path, winding down into the valley, submerged in the dappled light, a brief antidote until our sun returns. Continue reading “Chapelle St Jean”

Frames of reference

Shepherd’s Warning

The view from our room in Lincoln on our last morning, looking towards the rising sun, the cathedral silhouetted through the trees, reminded of the ancient weather forecasting rhyme – Red sky at night, shepherd’s delight. Red sky in the morning, shepherd’s warning. But we had our hearts set on a walk before returning to London, so the more we looked, the more we convinced ourselves it was not red at all, but actually sky-blue pink. But it was the most sun we saw all day. Continue reading “Shepherd’s Warning”

Frames of reference

Log Book

During our visit to Lincoln Cathedral we witnessed an elegant performance commemorating the 800th anniversary of the 1217 Charter of the Forest. Logs of Scots pine were transformed into wooden beams by a group of hewers in the cathedral’s Chapter House, in a spectacular ritual lasting ten days that explored the dramatic, acoustic, material and olfactory qualities of the space. Continue reading “Log Book”

Frames of reference

In Lincoln

The approach to Lincoln was long and flat with wide vistas of huge arable fields, along straight roads accompanied by oversized tractors, through countryside reminiscent of the industrial-scale farms of northern France. But lest we should forget where we were, on the outskirts of the city a little old lady stood on the pavement nodding involuntarily at the passing traffic, waving a St George’s Cross with the word England written across it. A radicalised ukipper standing her ground against the waves of migrant workers come to steal her crops… But then we saw the cathedral. Continue reading “In Lincoln”

Frames of reference

Charleston Farmhouse 1981

This is a beautiful little book of photographs taken by Kim Marsland at Charleston Farmhouse in 1981. The Bloomsbury Group had left and the Charleston Trust were yet to take over; it was a house in flux, a time capsule captured in these evocative pictures. Kim Marsland was then a student at Maidstone College of Art, which was where I’d studied until six years earlier. I’d painted the front door of our little house in red and green chevrons and furnished it with cheap second-hand furniture decorated with painted designs, and covered the walls with hand-printed wallpaper. But I’d not heard of Charleston. I think few of us had in those days. Kim Marsland’s photographs recall an intimate time before Charleston’s domestic decorations became an internationally recognised style. Continue reading “Charleston Farmhouse 1981”

Frames of reference

Paradise

Panarea

paradise /ˈpær.ə.daɪs/ noun: The word “paradise” entered English from the French paradis, inherited from the Latin paradisus, from Greek parádeisos (παράδεισος), from an Old Iranian paridayda – “walled enclosure”. Paradise is the term for a place of timeless harmony; the abode of Adam and Eve before the Fall in the biblical account of the Creation; the Garden of Eden; a place or condition of great happiness where everything is exactly as you would like it to be; an ideal or idyllic place or state – synonyms: Utopia, fairyland, Shangri-La, heaven, nirvana, Arcadia. Paradise may also refer to the collection of holiday paintings by Will Smith displayed in The Rowley Gallery window. Continue reading “Paradise”

Frames of reference