The Weekend

I’ve been listening to Nashville Obsolete, the new album by Dave Rawlings Machine. It begins with The Weekend and it’s accompanying video documents a weekend roadtrip by Dave Rawlings and Gillian Welch from Nashville to California. It got me looking around for more. Continue reading “The Weekend”

Frames of reference

Manningtree (Slight Return)

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We came back to the North House Gallery in Manningtree to see Fin · River · Swift, a new exhibition by Julian Meredith. This piece is called Elmigration, a large woodcut measuring 3 metres by 1 metre, printed from a single plank of elm wood. Continue reading “Manningtree (Slight Return)”

Frames of reference

A Short Diversion

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Driving to work the other day I was diverted from my normal course and led to discover the Isokon building. I’d never seen it before but instantly it seemed familiar and true, as if it were an archetype, elegant and beautiful, the epitome of 1930s utopian modernism. Continue reading “A Short Diversion”

Frames of reference

The Tower Of Babel

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The Tower of Babel presently stands alongside the Medieval & Renaissance sculptures in Room 50a at the Victoria & Albert Museum in London. It’s an exhibition of 3000 miniature ceramic London shops stacked precariously 20 feet high, ranging from bargain basement shops down at the bottom to exclusive and aspirational shops up at the top. Continue reading “The Tower Of Babel”

Frames of reference

Terry Riley

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During all the recent celebrations for Terry Riley’s 80th birthday I discovered many unfamiliar videos and recordings but none was more welcome than this with Don Cherry from 1975:

It’s from a bootleg recording of a concert in Cologne (available here) and although none of the pieces are credited I think this one is Descending Moonshine Dervishes. It begins with Terry Riley keyboard improvisations and Don Cherry accompanying on doussn’gouni, weaving intricate sound patterns, but when Don switches to pocket trumpet the music changes gear and he just simply lifts my heart. Continue reading “Terry Riley”

Frames of reference

Holloway

A beautiful short film shot on Super-8 and painstakingly woven together by Adam Scovell. He was inspired by Robert Macfarlane, Stanley Donwood, Dan Richards and their book Holloway. I first stumbled into it here and I find it hard to leave. Adam has written a great piece about his film here. It’s mesmerising.

Frames of reference

Montserrat

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No trip to Barcelona is complete without an excursion to Montserrat. It had been recommended many times so finally we got the train from Plaça d’Espanya. The ticket price included a transfer onto the rack railway at Monistrol de Montserrat for the steep climb up the mountain. Continue reading “Montserrat”

Frames of reference

Ascenseur Pour L’Échafaud

A favourite clip from Louis Malle’s 1958 debut movie, Ascenseur Pour L’Échafaud, starring Jeanne Moreau with a wonderful improvised soundtrack by Miles Davis.

Davis was booked to perform at the Club Saint-Germain in Paris for November 1957. Jean-Paul Rappeneau, a jazz fan and Louis Malle’s assistant at the time introduced him to Malle, and Davis agreed to record the music after attending a private screening. On December 4, he brought his four sidemen to the recording studio without having had them prepare anything. Davis only gave the musicians a few rudimentary harmonic sequences he had assembled in his hotel room, and, once the plot was explained, the band improvised without any precomposed theme, while edited loops of the musically relevant film sequences were projected in the background. www.discogs.com

I have to admit I’ve not yet seen the film (though I did once see Jeanne Moreau looking in our gallery window) but I’ve listened to the soundtrack countless times. I bought the LP years ago after reading a recommendation by Richard Williams and I agree with him that it’s one of Miles Davis’s best.

Frames of reference