Polka

Choreographer: Mark Morris.
Composer: Lou Harrison.
Musicians: Mitchell Drury (violin), Adrienne Varner (piano).
Dancers: Megan Bosaw, Ellen Cooper, Julia Cross, Erin Johnson, Deepa Liegel, Jessie Mays,
Rachel Pattens, Elysia Roscoe, Emma Sanford, Caitlin Schafte, Charlotte Smith, Morgan Spencer,
Elise Walker, Alex Wheelwright.

Frames of reference

Cat’s Cradle (6)

Grupo BanRara perform a traditional ribbon maypole dance from Guantanamo, Cuba.
The tradition of maypole dancing in Guantanamo came from Haiti via France where maypole dancing was in style in the 18th century as an art dance. The origins of maypole dancing may have began in ancient Babylon during sex worship and fertility rites.

The men dance around one maypole and the women dance around another until a cat’s cradle is intricately woven between them and the dance becomes more frenzied and the two become one.

Frames of reference

Lunaris

lunaris

The new CD by the Frank Harrison Trio arrived yesterday. It’s an album of acoustic trio music, piano, bass, drums, with echoes of Keith Jarrett, Esbjörn Svensson, Fred Hersch, but mostly it sounds like the Frank Harrison Trio. The CD cover features a watercolour by Andrew Walton (which appeared in an earlier Frames of Reference post here), Moon Arc, the moon over Port Meadow, Oxford’s answer to Grantchester Meadows. Frank’s father, Michael Harrison, was director of Kettle’s Yard in Cambridge until 2011, and a great friend of Andrew Walton. The album is dedicated For Moikal.

Frank Harrison Trio – Sunrise (Port Meadow)

As well as working with his own trio, with Dave Whitford on double bass and Enzo Zirilli on drums, Frank Harrison also plays piano and keyboards with Gilad Atzmon in the Orient House Ensemble, and he was also involved with Robert Wyatt’s mesmerising For The Ghosts Within.

Frames of reference

Art & Life (& Memory)

001

This painting by Ben Nicholson, titled c.1930 (Cornish Port), features on the cover of Art and Life 1920-1931, the catalogue for the exhibition at Kettle’s Yard in Cambridge, examining the artistic partnership of Ben Nicholson and Winifred Nicholson in the 1920s and their friendship and collaboration with Christopher Wood, Alfred Wallis and the potter William Staite Murray. Continue reading “Art & Life (& Memory)”

Frames of reference

Bee-Composed

piano

My big sister Lily Hunter Green is a musician and visual artist based between Brighton and Suffolk. She’s currently working on an art installation project called ‘Bee-Composed’, which involves working with an apiarist and a sculptor to adapt a redundant piano into a working beehive from which she will then harvest the sounds of the bees interacting with the strings and the visual footage recorded from within the piano. This will form part of an exhibition later in the year and an original EP. Continue reading “Bee-Composed”

Frames of reference

For Paco De Lucía

I heard someone on the radio say that Paco de Lucía was dead. I was shocked. Then someone else said Pablo de Lucía and I breathed a sigh of relief. But when I checked I saw that Paco had indeed died, of a heart attack on holiday in Mexico. Born December 21, 1947, died February 26, 2014, the flamenco guitar maestro gone far too soon. I witnessed an astounding concert at the Royal Albert Hall thirty years ago when he played duets with John McLaughlin. He was a force of nature, together the two of them were supernatural. He will be greatly missed. See more tributes to Paco de Lucía at BBC News.

La Barrosa – Paco de Lucía, guitar and Juan Rainrez, dancer.

Frames of reference

Charlie’s Angels

I got this from Richard Williams. I couldn’t resist reframing it here. A short promotional video for an album of beautiful close harmony singing by The Haden Triplets – that could only be achieved from sharing a lifetime of sisterly togetherness and a near psychic vocal interplay that can only come from being born mere seconds apart from each other. Their father is Charlie Haden and the record is produced by Ry Cooder, two of my all time musical heroes, and this trio are pretty good too. Get the full story from Richard’s blog, thebluemoment, where he tells it much better than I ever could.

Frames of reference