Jelly Green At Kensington Place

Jelly Green‘s cows are now installed at Kensington Place. The famous mural has been put into storage to make way for a new exhibition space to be known as The Art Wall. As Dominic observed, it’s less of a mural, more a mooral. Which is one way of looking at it. They are very direct, very ‘in your face’ as one of our customers described Jelly’s paintings. They are a face to face encounter, one to one, nothing else is important, no need for superfluous background. There’s a spark kindled by those magical, energetic brushstrokes, a spark of recognition. Continue reading “Jelly Green At Kensington Place”

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Jelly Green At Kensington Place

Kensington Place have now confirmed that they will be showing three new paintings by Jelly Green from Thursday 20th September. After 25 years they are taking down their large mural to make way for a new programme of changing exhibitions. This new display space will be known as The Art Wall.

It reminds me of another Art Wall I saw recently, by my granddaughter. See it here, and be sure to leave a comment!

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Jelly Green At Kensington Place

Further to our previous announcement, Jelly’s exhibition at Kensington Place due to open on 7th August has now been rescheduled for September. Apologies for the delay. We’ll post more details once we know the dates. I’m sure it will be worth waiting for. In the meantime her paintings are still available at The Rowley Gallery.

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Jelly Green At Kensington Place

Three big new paintings by Jelly Green go on show at Kensington Place from Tuesday 7th August. Their large north wall has inspired Jelly to stretch out and paint on a much larger scale than before.

The cows in this new series of paintings graze on the water meadows in the Alde Valley. One of the lovely things about this particular herd is that unusually they are a mixture of breeds from Simmentals to Belgian Blues and Charolais, which provides a much wider palette of colours and forms. These three paintings are my largest pieces yet. There is something really intimidating and challenging about working on this scale: the potential for failure is magnified, the empty space to fill completely daunting. But when they work, it’s a huge relief and a painting that is hard to ignore.

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Windsor’s Great Park

The enormous equestrian statue of George III looking down over Windsor Castle from the top of Snow Hill, pointing out incoming aeroplanes on their way to Heathrow. Continue reading “Windsor’s Great Park”

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Radcot & Kelmscot

I’d been curious about the Swan Hotel at Radcot for years, ever since we framed this memorable painting. In fact it doesn’t look much like its portrait at all, but it’s a good place to start from and a welcome spot for a riverside drink upon the return. This walk was inspired by a chance meeting two years ago at Jazmin Velasco’s house with Ron Emmons, author of Walks Along The Thames Path. I arrived just as they were about set off on the Richmond walk. In his description of this Radcot & Kelmscot walk, Ron says ‘This is a walk for when you really want to get away from it all’. Though there’s no escaping the jubiquitous Union Jack these days. Continue reading “Radcot & Kelmscot”

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Hatfield Forest & Hatfield Broad Oak

This is one of my favourite trees, an ancient Hornbeam pollard at Bush End Plain, an area of wood pasture in Hatfield Forest. This place has been grazed by cattle and sheep for at least 1000 years, and these trees pollarded to keep their green shoots out of reach of grazing livestock. There are also deer here and Oliver Rackham has called this The Last Forest because it is the only surviving example of a Royal Medieval Hunting Forest, meaning forest as a place where the monarch had the right to keep deer and to kill and eat them. This maintained environment has been shaped with rides, chases and woodland by continuous managed development over the past millenium. Continue reading “Hatfield Forest & Hatfield Broad Oak”

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Alde Valley Spring Festival

The weekend before last we went up to Suffolk to visit the Alde Valley Spring Festival. It’s at White House Farm in Great Glemham where barns and out-buildings are used to display local crafts and artworks. Appropriately Jelly Green‘s lively paintings occupied the former cowshed. Continue reading “Alde Valley Spring Festival”

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A Jelly Cow

Here is a little home movie of Jelly Green painting a Charolais, one of her grandfather’s cows (hence the grandad song) from his farm at Dallinghoo, famous not only for dairy cattle but also for the Dallinghoo Treasure, a hoard of Iron Age gold coins discovered in 2008. Jelly will be exhibiting some of her own treasures at the Alde Valley Spring Festival from 21st April until 20 May. More of her paintings can be seen at The Rowley Gallery.

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