For William Turnbull

I treasure this little booklet. It’s a catalogue from Waddington Galleries in 1981, a souvenir of a beautiful and influential little exhibition of small bronzes. It got me looking at Brancusi and Giacometti and prompted countless visits to the British Museum where I discovered Cycladic figurines and Bronze Age beaker pots, Elgin marbles and Benin bronzes and much more. William Turnbull’s work seemed to contain all the best bits, all distilled from seeds gathered from around the world and filtered through his hands. Continue reading “For William Turnbull”

Frames of reference

A London Panorama

This is Claes Visscher’s Panorama of London in 1616. Click on the image to enlarge. It is a rare hand-coloured Victorian facsimile of the original engraving and is over two metres long. It is shown here courtesy of Peter Harrington Rare Books. I discovered it via Peter Berthoud.

Frames of reference

Eggardon

During the last few years I have become increasingly interested in certain distinctive downland hills such as Melbury Beacon, and hill forts such as Hambledon Hill and Winkelbury Hillfort. These either in Dorset or Wiltshire where the short turf on the chalk helps in defining their underlying structure, and where these hills often rise quite steeply from their surrounding valleys. I am also interested in the way artists often get involved with a subject over time, as I frequently return to a theme again and again. Witness Paul Nash for instance and his preoccupation with the two hills at Wittenham Clumps. Continue reading “Eggardon”

Frames of reference

For Roger Deakin

Seeing Mary’s painting yesterday of swimming in the River Barle at Simonsbath brought to mind Roger Deakin’s wonderful book Waterlog: A Swimmer’s Journey Through Britain. I first chanced upon a copy at the Book & Comic Exchange, a second-hand bookshop in Notting Hill Gate, part of the Record & Tape Exchange empire, where I used to spend too much time looking for obscure musical and literary delights. I’d not heard of him before but I was attracted by ‘Deakin has written an aquatic Songlines‘ and ‘A delightfully eccentric masterpiece’. It opens with a heavy midsummer downpour and Deakin taking shelter in the moat: Continue reading “For Roger Deakin”

Frames of reference

Holloway

One of the many highlights of our recent trip to Cornwall was one that I took with me. Just a couple of days before we left London I received a copy of Holloway, a book by Robert Macfarlane, Stanley Donwood & Dan Richards. I kept it unopened in its Jiffy bag with Dan’s handwritten label and best wishes until we arrived, so that it became a part of our holiday. Inside, when I finally opened it, was a beautifully printed and illustrated book that told of the search for an ancient Dorset holloway, previously visited by Macfarlane with Roger Deakin. They were looking for the hide where the hero of Geoffrey Household’s novel Rogue Male went to ground. I’m not sure which I knew first, Household’s book or the film with Peter O’Toole. The abiding feeling was not so much of threat but of the safe harbour to be found beneath trees. Continue reading “Holloway”

Frames of reference

Swimming Studies

Water is elemental, it’s what we’re made of, what we can’t live within or without.

So begins this wonderful book by Leanne Shapton. I’d seen her paintings at Lutyens & Rubentein but hadn’t realised she was also a writer. This is a memoir of her days training as an Olympic swimmer and of how that obsession shaped her later life as an artist. I’m no swimmer, maybe a gentle back paddle, preferably in a river rather than a pool, but I’m buoyed up by reading Swimming Studies.

Frames of reference

Deluge

Through this drenched and complex summer I have gazed in frustration at a garden weighed down with its own entanglements. As I hopped, skipped and jumped through incessant showers to the studio I was the beneficiary of some damp osmosis which gave me colour and form for my Deluge series, and a happy series it turned out to be. The only sting in the tail being exhaustion for weeks afterwards. Continue reading “Deluge”

Frames of reference

Barnacles & Dames

This arrived just too late. But the exhibition continues until 26th October so there’s time to see it. Mary Kuper celebrates 100 years of books in the Saison Poetry Library collection with an exhibition of images, poems and etymologies suggesting a play between the words poets use and the meanings buried in their forgotten roots and histories. The title is courtesy of Joseph Brodsky. There is also a beautiful handmade book printed by Mary herself. More here.

Frames of reference