A Short Walk With Howard Phipps

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I’d been looking forward to this for years. Ever since we first had his wood engravings I’d been curious about where they came from. We usually get Howard’s prints in the post or occasionally he might bring us a few, but this time I was invited to go and collect some myself. It was an opportunity to visit his studio, to see how his wood engravings are made and also to discover the landscape that informs them. I left the A303 and followed the A30 down a dead straight Roman road to Stockbridge then along the old drover’s road towards Salisbury. I began to recognise the distinctive local features, the gentle rolling hills, the trees silhouetted against the sky, and I knew I was entering Phipps country. Continue reading “A Short Walk With Howard Phipps”

Frames of reference

Eggardon

During the last few years I have become increasingly interested in certain distinctive downland hills such as Melbury Beacon, and hill forts such as Hambledon Hill and Winkelbury Hillfort. These either in Dorset or Wiltshire where the short turf on the chalk helps in defining their underlying structure, and where these hills often rise quite steeply from their surrounding valleys. I am also interested in the way artists often get involved with a subject over time, as I frequently return to a theme again and again. Witness Paul Nash for instance and his preoccupation with the two hills at Wittenham Clumps. Continue reading “Eggardon”

Frames of reference