Rowley Gallery Blog
King’s Cross station has a new concourse, enclosed by a beautiful, sculptural roof which grows from a steel trunk and spreads into a tree-like canopy of intersecting branches. They meet the ground along the semi-circular perimeter, which is a continuation of the arc of the Great Northern Hotel, which was in turn shaped by the curve around a bend of the River Fleet. Continue reading “A Walk From King’s Cross (With Labels)”
James Read just sent us a few images of pieces he’s made for a group show at the Ultimate Picture Palace in Oxford. The exhibition is titled Oh Brother, Where’s Thou Art? and features cinema inspired works by Lorraine Berkshire-Roe, Andy Roe, James Davies, James Read and Jason Brown. Continue reading “Oh Brother, Where’s Thou Art?”
With the Olympic Games coming to town Greg Becker has been researching the often eccentric beginnings of many of the modern games that we know today. His findings are documented in these drawings which have now been published as greetings cards. Continue reading “Sporting Feats”
Reading about the Mondrian/Nicholson show set me thinking about a small marble Figure of 1933-34 by Henry Moore which was recently sold for over a million at Sotheby’s. Continue reading “Tulips”
Here is a little home movie of Jelly Green painting a Charolais, one of her grandfather’s cows (hence the grandad song) from his farm at Dallinghoo, famous not only for dairy cattle but also for the Dallinghoo Treasure, a hoard of Iron Age gold coins discovered in 2008. Jelly will be exhibiting some of her own treasures at the Alde Valley Spring Festival from 21st April until 20 May. More of her paintings can be seen at The Rowley Gallery.
I ventured up to Sotheby’s, New Bond Street, to see a version of The Scream by Edvard Munch (1863-1944). The version consigned to the saleroom and auction next month in New York is a pastel drawing by the artist. The image of The Scream is reckoned to be only second to that of the Mona Lisa in terms of art awareness in the general public conscience, and is regarded as the archetypal image of angst and anxiety of modern man. Continue reading “The Scream”
When I read what Robert Newton said in his post My Work about how he can get ecstatic with excitement when his particular method of painting works, it made me think about that feeling when a painting is all of a sudden finished, as if by magic, even though you’ve maybe spent weeks and weeks or months even, working on it. Continue reading “Waiting For Inspiration”
Another type of Comb. Not the hollow in the hills of Combe, sheltered from the wind, but here is a place to witness the wind. Eduardo Chillida’s Wind Comb. Three steel sculptures anchored to the rocks at the western end of San Sebastian bay. There are also some quite effective blow-holes beneath the pavement. Continue reading “Wind Comb”
It’s Grand National day and I’ve just received a surprise collection of images from Christopher Corr that he made at Goodwood last year. It seemed appropriate to show them on Frames of Reference.
And it just occurs to me that the title of the previous post, Down & Round & Up & Over, might well be a description of the Grand National itself. Continue reading “A Day At The Races”
This series of landscape studies has been painted entirely on location. They are all painted from the same viewpoint near Beachy Head in East Sussex and are sections selected from the panoramic view. They are a direct response to what I saw and the experience of being in the landscape. Continue reading “Near Beachy Head”