What Once Was Imagined

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Susie Freeman & Liz Lee: What Once Was Imagined

This summer I visited São Paulo to install a new work at Oscar Niemeyer’s OCA pavilion in Ibirapuera Park. The exhibition INVENTO is best described as a science museum designed by artists. Created by matching significant scientific advances from the past 150 years with artists whose work acts as a response to each invention, I used thousands of medicines in packets to make a giant Amazon mantilla which illustrates the development of pharmaceuticals from plants to pills.

The exhibition runs until October 4th after which we hope to mount What Once Was Imagined in a venue closer to home. Continue reading “What Once Was Imagined”

Frames of reference

Manningtree (Slight Return)

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We came back to the North House Gallery in Manningtree to see Fin · River · Swift, a new exhibition by Julian Meredith. This piece is called Elmigration, a large woodcut measuring 3 metres by 1 metre, printed from a single plank of elm wood. Continue reading “Manningtree (Slight Return)”

Frames of reference

A Short Diversion

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Driving to work the other day I was diverted from my normal course and led to discover the Isokon building. I’d never seen it before but instantly it seemed familiar and true, as if it were an archetype, elegant and beautiful, the epitome of 1930s utopian modernism. Continue reading “A Short Diversion”

Frames of reference

The Tower Of Babel

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The Tower of Babel presently stands alongside the Medieval & Renaissance sculptures in Room 50a at the Victoria & Albert Museum in London. It’s an exhibition of 3000 miniature ceramic London shops stacked precariously 20 feet high, ranging from bargain basement shops down at the bottom to exclusive and aspirational shops up at the top. Continue reading “The Tower Of Babel”

Frames of reference

Announcer

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Thirty paintings by David Mabb at the William Morris Gallery – The Arts & Crafts Movement meets Russian Constructivism. Mabb has superimposed pages from the Kelmscott Chaucer by William Morris with images by El Lissitzky from For The Voice, a book of revolutionary poems by Vladimir Mayakovsky, to create a double celebration of utopian art. Continue reading “Announcer”

Frames of reference

Abstracting From The Landscape

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My article appeared recently in the August issue of The Artist magazine. This is the first time I have been asked to write such an article and I was concerned about how my text would be edited etc. But they did this very well and I am very pleased with the way it looks. Continue reading “Abstracting From The Landscape”

Frames of reference

Manningtree

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Manningtree was another daytrip destination in the early 1980s. We came on the train with our bikes from Liverpool Street to explore the country lanes around Dedham and Flatford, but we didn’t see much of Manningtree apart from the station. It was the gateway to Constable country. Continue reading “Manningtree”

Frames of reference

Farley Farm House

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We left the main road at Cross in Hand then down the back lanes to Chiddingly, an enchanting drive through the woods, alternately dappled with jewelled light sparkling through the leaves or dark and gloomy in sunken, narrow holloways, and always the threat of encountering oncoming traffic around the next bend of the single track road. It was an adventure even before we arrived. Continue reading “Farley Farm House”

Frames of reference

The Long Man Of Wilmington

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It must be at least 30 years since we first came here. We took our bikes on the train from Victoria then cycled from Eastbourne. Beachy Head and Birling Gap, East Dean and West Dean, Litlington and Lullington and Wilmington. Continue reading “The Long Man Of Wilmington”

Frames of reference