We came down the hill and over Chingford Plain and joined others arriving from north and south in a steady stream flowing into the woods. I thought of Geoffrey Chaucer – Those that sleep all the night with open eyes… Then folk long to go on pilgrimages… We really should’ve known about this, but it crept up and took us by surprise. We’d been here just a few weeks before, but walking in the opposite direction. Today, 28th July, we got to see it just in time, on its last day in Epping Forest. Continue reading “Living Symphonies”
Epping Forest x 3
Three walks in Epping Forest, all within the past few weeks. This time of year I can’t get enough of its green light to escape the city. I never lived in a forest but this place always feels like home. Maybe I did in a previous life, maybe we all did, maybe this is the nearest thing to a prelapsarian London. Continue reading “Epping Forest x 3”
Curious Customs
Look what I found down at the Post Office. It seems like Jonny Hannah got a call from the Royal Mail. I bought the full set of eight stamps in their delightfully designed presentation pack. The lady behind the counter must have taken me for a philatelist, and gave me a calendar of Special Stamps for 2019. She piqued my curiosity by saying the next stamps to be issued will be on Forests. Continue reading “Curious Customs”
Twelve Little Birds
And three parrots. Our window this month at the Rowley Gallery is home to a diverse flock of brightly coloured miniature tropical birds. It’s an aviary of twelve unique life-size watercolour paintings. The parrots are screen prints. And they are all by Fanny Shorter, whose work we have been lucky enough to show for the past ten years now, during which time she has developed from a printmaker of exquisite little birds and fishes into an internationally renowned textile designer. So it was a great pleasure to ask her to make twelve little paintings, just for a change. Continue reading “Twelve Little Birds”
Comfrey & Coggeshall Grange Barn
The plan was to take a circular walk from Kelvedon to Coggeshall and back again via Feering through gentle Essex farming countryside. That was the promise of the guidebook, Walks In The Country Near London, but it had slept on our bookshelf since 2003 and it needed waking up. Or perhaps it’s fairer to say we needed waking up, because it seemed like we stumbled and fell at the first hurdle. Continue reading “Comfrey & Coggeshall Grange Barn”
Never Failed Me Yet
A 12-hour continuous performance of Gavin Bryars’ iconic piece Jesus’ Blood Never Failed Me Yet at London’s Tate Modern. Produced by the Academy of St Martin in the Fields, the event brought together musicians from the Academy, Southbank Sinfonia and the Gavin Bryars Ensemble who performed throughout the night alongside people with experience of homelessness.
The performance was preceded by more than 50 hours of music making workshops at two day centres for homeless people in London.
‘None of us were homeless last night. Instead we were welcomed and royally entertained as special guests of one of the city’s most glamorous and sophisticated palaces of art!’ Gerry Salmon, participant from The Connection at St Martin’s.
‘Last hour spellbinding, moving, uplifting.’ @domcavendish (Theatre Critic, The Telegraph)
‘It was outstanding and, in its own way, astounding. And quite, quite beautiful’ The Afterword
Le Chêne Vert
This little painting hung on the wall of our house in Calvi. It looked like the campanile of one of the churches we visited yesterday, perhaps in Calenzana or maybe Montemaggiore.
The Genoese… besides tending their gardens, they built churches, so many over the centuries… that the region was called ‘holy Balagne’; today their bell towers charmingly punctuate the landscape like a series of mild exclamation marks.
Corsica: Dana Facaros & Michael Pauls
But when I took it down I found Église d’Avapessa handwritten on the back. Continue reading “Le Chêne Vert”
La Balagne
For one week in May this was our bedroom window, with its view of the Golfe de Calvi and the mountains beyond, with Monte Grosso 1,938 metres and Monte Padro 2,393 metres, two of the highest in Corsica. Every morning their silhouette was gradually illuminated as the sun rose behind them, projecting fast-moving cloud shadows onto their faces, with every morning a different view. Continue reading “La Balagne”
Which Way Up
For John McLean, 1939-2019.
Sadly I’m not allowed to post this video on our blog, but please watch it here.
John McLean is a Scottish abstract painter with work in some of the world’s great public art collections. In 2013 he was diagnosed with Parkinson’s disease. This feature-length documentary charts McLean’s struggle to carry on working as the disease takes hold. He proves to be an engaging, humorous and always fascinating companion as he allows us access to the most private of spaces; the artist’s studio. Parkinson’s gradually locks him into disability but he heroically and resolutely refuses to give up on his paintings.
“If you walk down the street with him he’ll notice some small architectural detail really high up quite obscure, and a little detail on a chocolate biscuit, the concaveness of the centre of it, which seems quite minor at the time, but it just shows this exploration into things visual and shapes, it’s all comical quite often and witty but then also deeply like kind of comes from being intrigued by life.”
Jack Fawdrey, studio assistant
Jonathan Christie: Paintings & Drawings
This is a rare opportunity to see several pictures by Jonathan Christie gathered together in one place; it’s his first solo exhibition anywhere and we’re honoured to host it in our window throughout June. Paintings and drawings inspired by favourite places and favourite artists, from Venice to St Ives via Ben Nicholson and Eric Ravilious and all stations to Alfred Wallis. Continue reading “Jonathan Christie: Paintings & Drawings”