The filmmaker Christian Cargill presents a loving portrait of the Welsh shepherd Wilf Davies, who works his farm alone, eats the same meal every day, and has never left his valley.

Rowley Gallery Blog
The filmmaker Christian Cargill presents a loving portrait of the Welsh shepherd Wilf Davies, who works his farm alone, eats the same meal every day, and has never left his valley.
We were in West Dorset at last and I was elated. I’d long wanted to drive these roads. We were in a maze of high banks and hedgerows, hidden from the wind, burrowing back down to earth, gone to ground. Continue reading “Deep Lanes & Holloways”
Three weeks later and we were back again, to begin again, this time from Ayot St Lawrence instead of Wheathampstead. It was early October and the wasps were still browsing drowsy on the ivy. Continue reading “Ayot & Ayot Again”
The River Lea at Mill Bridge in Wheathampstead one day last September. Another walk from the between lockdown daze. It seemed we were always walking back then, but nowadaze it’s let your fingers do the walking, typing keyboard dreams of freedom, stuck indoors again. Continue reading “Wheathampstead & Back Again”
We crossed the footbridge at Newport railway station, over the West Anglia Main Line between Elsenham and Audley End, forty miles north along the route from London Liverpool Street to Cambridge. The track was quiet, the train had just disappeared and taken all the noise and commotion with it. We were left with a few bubbles of birdsong in its wake. Continue reading “Newport, Widdington & Debden”
An exhibition of 19 paintings by Christopher Corr at Salts Mill, a former Yorkshire woollen mill in Saltaire. They tell the story of the Campaign for Wool, illustrating significant events from its history. Continue reading “Campaign For Wool”
A bright window packed with small beauties for these dark days, a fast-moving festive feast for the eyes. As works sell they will be replaced by more in an ongoing ever-changing pageant of delights. Continue reading “In The Bleak Midwinter”
Returning home from a family gathering in the North West we took a detour from our usual route, and despite the dark clouds and pouring rain and the warnings of queuing traffic and closed roads we found our way over the Pennines to the Yorkshire Sculpture Park. It was our first visit and it was long overdue. The way was slow and wet and windy, but as we approached the sky cleared and by the time we left the sun was shining again. And in between the park was a revelation. Continue reading “Yorkshire Sculpture Park”
Win Green From Berwick Down
We asked Howard Phipps to fill our window with a display of his wood engravings and linocuts. So it seemed like a good idea to go down and collect them, and take a walk around some of the places that had inspired them. We followed a circuit up to Win Green, a prominent landmark and the highest point in Cranborne Chase, crowned by a clump of beech trees on a Bronze Age bowl barrow. Continue reading “To Win Green”
The Majesty oak is well named; it truly is majestic, /məˈdʒɛstɪk/, adjective, having or showing impressive beauty or scale, synonyms: exalted, august, great, awesome, elevated, sublime, lofty. It is all of these and more. It lives in Fredville Park at Nonington in Kent, alongside other exceptional trees called Beauty, Stately and Staghorn, but Majesty is said to be the finest oak in all of the British Isles. It stands 60 feet tall and measures 40 feet around and estimates of its age vary from 400 to 800 to the best part of a thousand years, no one knows for sure but it looks to me like it’s been here forever. Continue reading “Majesty”