Away With The Birds

Hanna Tuulikki’s ‘Air falbh leis na h-eòin’ is a body of work exploring the mimesis of birds in Gaelic song. On the 29th and 30th of August it becomes a sited performance on the Isle of Canna.

Hanna’s vocal composition, ‘Guth an Eòin | Voice of the Bird’ is the heart of the project. Written for a female vocal ensemble, it reinterprets archival material, fragmenting and re-weaving extracts of Gaelic songs into an extended soundscape. The music emerges from, and responds to, island landscapes and lives. It explores the delicate equilibrium of Hebridean life, the co-existence of tradition and innovation, and suggests the ever-present inter-relationship between bird, human, and ecology.

“The piece is made from weaving together fragments of traditional songs and poems that imitate or emulate birdsong” Tuulikki explains. “Each of the five movements represents a different habitat and bird community – wader, sea-bird, wildfowl, corvid, and cuckoo. In August we will perform the concert in the historic harbour of the beautiful Isle of Canna, where the music reverberates with the bird-calls and the ebb of the tide. The setting is so important to the piece. The Small Isles are a magical place and, to me, the performance begins as soon as people climb on-board the ferry-boat to make the crossing: the richness of the experience is people sharing a journey.”

www.awaywiththebirds.co.uk

Frames of reference

The Sky At Snape

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SNAP HQ, a cor-ten steel shed at Snape Maltings, nerve centre of the SNAP visual arts programme for this year’s Aldeburgh Festival, directing our gaze towards the great Suffolk sky. Continue reading “The Sky At Snape”

Frames of reference

The Bullfinch

The Bullfinch 2014

The bullfinch is surrounded by fragments of information describing both the natural and man-made world. There is a sense that this information has been sought, viewed and downloaded on a hand held screen. This is indicated by the excellent wireless signal displayed in the top right hand corner.

James Read’s The Bullfinch is included in this year’s Royal Academy Summer Exhibition.

See more by James Read at The Rowley Gallery.

Frames of reference

Why I Depict Birds In My Work

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The object of art is not to reproduce reality, but to create a reality of the same intensity.
Alberto Giacometti

I graduated from art college in 2008 having specialised in drawing and painting. It had been a challenging experience and I stumbled into the real world with a sense that I had been existing in a bubble for five years. I was determined to become an artist, to retain my creative integrity and to develop and further the skills I had gained at college. My degree show was packed full of birds and animals, but at this point my inspiration was taken from drawings of the old Victorian cabinets of the Chambers Street museum in Edinburgh. Continue reading “Why I Depict Birds In My Work”

Frames of reference

Out Along Lee

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Sometimes it’s the Lee, other times it’s the Lea, and most times it’s confusing. The River Lea rises at Leagrave, north of London near Luton (Leatown) and flows south via Leyton (Leatown) to join the River Thames at Leamouth. Over the years many of its twists and turns got straightened out to make it more easily navigable and the artificial channels and canals became known as the Lee Navigation. Nowadays the river (Lea) and the canal (Lee) are almost indistinguishable. Continue reading “Out Along Lee”

Frames of reference

Forêt Des Cèdres

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One day last August, looking to escape the heat of Provence, we found some welcome shade in the Cedar Forest on the Petit Luberon ridge above Bonnieux. The forest was planted in the 19th century to rehabilitate an area damaged by intensive grazing. I’m reminded of The Man Who Planted Trees though I’m sure this forest was not sown by just one man alone. Continue reading “Forêt Des Cèdres”

Frames of reference