Rowley Gallery Blog
These are three frames we made recently, containing a triptych made out of various wine and champagne corks, depicting the pixelated figure of a reclining nude. They are seen here at one of the restaurants where the corks were collected. If I’m not mistaken that looks like a Richard Smith painting on the wall behind, so I’m guessing this is The Boundary in Shoreditch. Continue reading “What A Corker!”
At first sight this year’s Serpentine Gallery Pavilion resembles a giant table on the lawn with fairy lights hung beneath it. It was designed by architects Herzog & de Meuron and artist Ai Weiwei, the same team that created the National Stadium, aka the Bird’s Nest, for the Beijing Olympics. Continue reading “Serpentine Gallery Pavilion”
I just saw this sweet video and couldn’t resist it for Frames of Reference. I can remember building stuff and wishing for an audience too. It’s instinctive. It’s what boys do. But this little boy is a prodigy.
Kensington Place has recently been refreshed with a bright new interior. The large mural by Mark Wickham depicting a view of The Long Water in Kensington Gardens has been in place since the restaurant opened 25 years ago. It has become almost synonymous with Kensington Place. But now it is due for a holiday. In its place will be a new exhibition space and The Rowley Gallery have been asked to select the artworks for this exciting new development.
More details to follow soon. Watch this space.
Here is a little piece about Greg Becker if you can find it. I probably should have been able to edit it but that degree of sophistication is beyond me at the moment. Please go forward to 3:40 and continue until 7:20.
On seeing my book An Illustrated Allotment Alphabet people often ask ‘do you actually have an allotment?’ to which, slightly offended, I reply ‘Yes!’
But really, there is no reason why I should feel disappointed, particularly as plot 52, my allotment blog on which the book is based, has now largely become a work of fiction. Continue reading “Weeds Of The Imagination”
Gail Brodholt has two of her linocuts in this year’s Royal Academy Summer Exhibition. She’s had prints accepted before but this is the first time they’ve taken two and I think she’s a little excited. She’s probably opened the champagne by now. Continue reading “Retail Therapy”
The figure on the horse is George III riding away from Weymouth. The story goes that during a stay in the early 1800s he promised to give the town a substantial amount of money, so much that they carved a dedication in the local church with his name and a blank space for the exact amount, and gave a promise to carve a likeness on the hills rising behind the town. Unfortunately, he left leaving nothing. The locals were so angry they carved £000 after his name in the church and did indeed complete a likeness on the hills, but made it so he was riding away from the town (back to London).
Liz Somerville / The Rowley Gallery
The enormous equestrian statue of George III looking down over Windsor Castle from the top of Snow Hill, pointing out incoming aeroplanes on their way to Heathrow. Continue reading “Windsor’s Great Park”
Jazmin Velasco brought us these gouache portrait paintings of some of her Georgian heros and heroines. She’s framed them in pressed metal frames from Mexico, frames more often used for painted votive offerings to the saints (see also Mexican Miracle Paintings). Reading left to right and top to bottom they are Duke of Wellington; George Frideric Handel; Queen Charlotte; Georgina, Duchess of Devonshire; Lord Nelson and King George III. They would make very good miniature pub signs for very good miniature pubs. Here’s a link to what Jazmin wrote when she painted them.