Constantine’s Dream

The Basilica of San Francesco in Arrezo, Tuscany, a late medieval church dedicated to St Francis of Assisi. In the chancel, the Cappella Maggiore, is one of the masterpieces of the Italian Early Renaissance. The walls are covered with a sequence of frescoes by Piero della Francesca depicting episodes from The Legend of The True Cross. Behind the suspended crucifix, at the lower right of the window is The Vision of Constantine, an image which has haunted Patti Smith for years. Continue reading “Constantine’s Dream”

Frames of reference

Metamorphosis

One day a man from over the hills came into the shop to buy a greetings card. He was a graceless man of few words though he did say the card was for his sick mother, but the words seemed to stumble over his tongue as he spoke. He was a large, lumbering, oaf of a man yet he was very quick to choose a card, and he paid for it with a crisp, new £50 note. Continue reading “Metamorphosis”

Frames of reference

Chick, Chick, Chick, Chick, Chicken

Marc the electrician came to see us, to fix the lighting and to bring us these delicious eggs from his garden in Thornton Heath where he keeps Cotswold Legbars, French Copper Neck Marans, a large speckled hen and a black tailed Colombian. Continue reading “Chick, Chick, Chick, Chick, Chicken”

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Jelly Green At Kensington Place

Three big new paintings by Jelly Green go on show at Kensington Place from Tuesday 7th August. Their large north wall has inspired Jelly to stretch out and paint on a much larger scale than before.

The cows in this new series of paintings graze on the water meadows in the Alde Valley. One of the lovely things about this particular herd is that unusually they are a mixture of breeds from Simmentals to Belgian Blues and Charolais, which provides a much wider palette of colours and forms. These three paintings are my largest pieces yet. There is something really intimidating and challenging about working on this scale: the potential for failure is magnified, the empty space to fill completely daunting. But when they work, it’s a huge relief and a painting that is hard to ignore.

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Dancer With Cymbals

This marquetry panel was designed by William Arthur Chase and made by The Rowley Gallery, circa 1920. It looks like the wood inlay is pine, sycamore, perhaps cedar, and oak-burr for the hair. It is titled Dancer With Cymbals and by its size and the way it is framed you’d be forgiven for thinking it might actually be a tambourine. It was recently discovered at auction and very kindly returned to its maker courtesy of the good folks at JHW Fine Art. Thank you, James.

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