Continue reading “60 Watercolours”

Rowley Gallery Blog
Susie Freeman brought us more work last week. This is Forest, a small collection of nuts and berries and other fruits of the forest, a kind of visual potpourri, stored in knitted pockets and displayed in an oak frame. Continue reading “Freeman’s Forest”
Autumn leaves in the Jardin de Principe in Aranjuez, Spain. We were driving from Madrid to Toledo and stopped here for lunch and a walk in the park. This garden and the adjacent Jardin de la Isla were laid out around the royal palace of Philip II in the 16th century, 200 years before the present town was built. They became the inspiration in 1939 for the Concierto de Aranjuez by Joaquín Rodrigo. Continue reading “Hojas De Otoño”
A walk on Hampstead Heath and the amazement of finding myself suddenly in the middle of another autumn produced the new series of prints. Actually it is not a new series. The new prints became part of the Regency series. After all these years I still find surprising the way prints create themselves almost without my help. Continue reading “Keats Leaves”
I love this picture. It reminds me of a ‘fayr feeld ful of folk’ from Piers Plowman. Christopher Corr made it for a client from London now living in Washington. The brief was to paint the view from Parliament Hill with all London’s landmark buildings plus Gospel Oak lido and running track. He cleverly reversed the viewpoint so we’re looking back down on this earthly paradise. Click on the image to enlarge it and explore it in detail. The painting measures 106 x 74 cms. Continue reading “Corr Blimey!”
This is Claes Visscher’s Panorama of London in 1616. Click on the image to enlarge. It is a rare hand-coloured Victorian facsimile of the original engraving and is over two metres long. It is shown here courtesy of Peter Harrington Rare Books. I discovered it via Peter Berthoud.
Christopher Corr painted this picture for Dominic. Unfortunately whenever he looks at it Dominic feels sick. Hopefully he’ll get over it, or at least down the side of it. He is planning to throw himself off the top of it on Sunday. Please offer your support and words of encouragement here.
They seem to be mostly larch. This intricate timber frame construction is made from 17 cubic metres of larch. It stands on a traffic island by St Botolph’s church at the start of the A11, the road from London to Norwich, and it marks the place where the Aldgate once stood. Continue reading “The Trees Of Aldgate”
During the last few years I have become increasingly interested in certain distinctive downland hills such as Melbury Beacon, and hill forts such as Hambledon Hill and Winkelbury Hillfort. These either in Dorset or Wiltshire where the short turf on the chalk helps in defining their underlying structure, and where these hills often rise quite steeply from their surrounding valleys. I am also interested in the way artists often get involved with a subject over time, as I frequently return to a theme again and again. Witness Paul Nash for instance and his preoccupation with the two hills at Wittenham Clumps. Continue reading “Eggardon”
Mary Kuper just brought us a new consignment of paintings. This one is of Simonsbath, Exmoor and the River Barle where Mary was swimming earlier this year. She uses thin glazes of oil paint on board and adds small brush strokes and scratched marks drawn into the paint, creating a richly textured surface. Continue reading “Super Kuper”