Rowley Gallery Blog
A tune for Mother’s Day from Medeski, Scofield, Martin & Wood.
This sweet video was directed by Billy Martin; he’s the drummer in the band –
The video for ‘Juicy Lucy’ features my mom, who is a former Radio City Rockette. At 81 years old, she’s still a phenomenal dancer. I’ve wanted to feature my mom somehow for a long time. She put tap shoes on me at a very young age and got me into rhythm.
Once a term Holland Park School ask us to frame the cover of their school magazine. Most recently it featured a photo of Antony Gormley to mark the arrival of a specially commissioned sculpture on the school roof. This was a great surprise, and a nice coincidence, just as I was drafting the previous post about his exhibition last year in Florence. Continue reading “Connect”
Palazzo Pitti & Forte Belvedere, one of a series of paintings of Medici villas by the Flemish artist Giusto Utens from 1599. The fort was built nine years earlier, on the highest hill of the Boboli Gardens to protect and watch over and keep an eagle-eye on the city of Florence down below. Continue reading “Forte Di Belvedere”
One visit to Florence was not enough, we had to come back for a second round. A third and a fourth would have been good, this place is inexhaustible, but sadly we didn’t have time so we needed to be selective. Top of the list was the Uffizi but not until we’d had an extremely indulgent breakfast at Rivoire in Piazza della Signoria, a great place to watch our fellow tourists. Continue reading “Another Look At Florence”
Beatrice Forshall working on a picture of an albatross surrounded by plastic debris she’s collected from the beach; a salutary warning against the the proliferation of throwaway plastic in our modern-day world. It’s an image made in response to Midway: A Message From The Gyre, a film that shows the toxic consequences of too much discarded plastic in the seas. Continue reading “Albatross”
A short film for Valentine’s Day. And for every day.
The Climate Coalition / Show The Love / World Wide Fund for Nature
I’d read of a huge tree, a monumental cedar of Lebanon, that grows just outside the walls of the town of Barga in northern Italy. It was born in 1814 and transplanted here in 1836 where it became adopted as a symbol of Giovine Italia (Young Italy) and Italian unification. Continue reading “Barga & Beyond”
This was another camera-shy exhibition. We had to switch off our cameras at the entrance, even though it was full of exhibitionist ‘performing sculptures’, all of them posing and pouting and teasing. Mostly they’re mobiles though none of them moved, their motion implied through poise and balance. Yet despite these contradictions, it’s a fantastic show, elegant and vibrant and fun. Continue reading “Performing Sculpture”
Lapis: James Whitney (1966)
One of James Whitney’s several cinematic masterworks, Lapis develops a series of impossibly dense mandala patterns in increasing intensity, set to a Ravi Shankar track. Whitney spent several years developing the imagery for the film, using his brother John’s homemade and hand-me-down motion control camera rig to realize it. Although James never aligned his creative interests with contemporary psychedelia, his work nevertheless sought to create an audio-visual catalyst for a deep and spiritual contemplation that was not too far removed. – Mark Toscano
I’ve carried the memory of this short film for years. Now, having just found it again, it’s still pretty impressive but not quite so overwhelming as the first time. I was an 18 year old art student watching it on a big screen in a small lecture theatre, with the volume turned up and completely immersed in its kaleidoscopic intensity, I’d never seen anything like it before. The film was made six years earlier, and what I love most about it now is its handmade lo-fi pre-digital devoted dedication to beauty.
We finally got to see the wonderful Charles & Ray Eames exhibition at the Barbican, but there were No Photography signs everywhere, which was a shame because it’s all so photogenic. It can’t be that it’s protected by copyright because there are lots of images on the internet. I guess the reasoning must be that if you can’t go home with a few souvenir photos then you’re more likely to buy the catalogue. Continue reading “The World Of Charles And Ray Eames”