This is the Biden/Harris victory video, a great plea for unity to heal a divided nation, and a great advert for picture frames! I just couldn’t ignore it. The film makers have used the device of a picture frame to signify that which is beautiful. And that’s pretty much all of the USA, united again, they’re all in it together, I think that’s the idea. I hope it goes well. I think the acronym POTUS must be for Pictureframer Of The United States. It’s a pity they’re not great frames but hey you can’t have everything. They’re metaphorical. And inspirational. And a great reason to feel proud to be a picture framer!
I was just told about this film. I’d not seen it before. Why had I never heard about it? It is wonderful. It was made in 2000 but it still feels fresh and full of magic.
Landscape sculptor Andy Goldsworthy is renowned throughout the world for his work in ice, stone, leaves, wood. His own remarkable still photographs are Goldsworthy’s way of talking about his often ephemeral works, of fixing them in time… Now with this deeply moving film, shot in four countries and across four seasons, and the first major film he has allowed to be made, the elusive element of time adheres to his sculpture.
Director Thomas Riedelsheimer worked with Andy Goldsworthy for over a year to shoot this film. What Riedelsheimer found was a profound sense of breathless discovery and uncertainty in Goldsworthy’s work, in contrast to the stability of conventional sculpture. There is risk in everything that Goldsworthy does. He takes his fragile work – and it can be as fragile in stone as in ice or twigs – right to the edge of its collapse, a very beautiful balance and a very dramatic edge within the film. The film captures the essential unpredictability of working with rivers and with tides, feels into a sense of liquidity in stone, travels with Goldsworthy underneath the skin of the earth and reveals colour and energy flowing through all things.
It’s almost 30 years since John Hubbard visited New Harmony, a small town in Indiana, USA, established in 1825 as a model community by the Welsh utopian thinker and social reformer Robert Owen. John was invited by Jane Blaffer Owen, New Harmony resident and the wife of Robert Owen’s third great grandson. Continue reading “From The Poet’s House”