New Paintings By Anne Davies

Village

Six new paintings hang just inside the front door of The Rowley Gallery, new arrivals by Anne Davies, rhythmic evocations of remembered places, patchwork mementoes of walked paces, footsteps on the ground retraced in the mind’s eye, memories and traces of colours and spaces. Continue reading “New Paintings By Anne Davies”

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Cows About Town

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Sussex Charolais 12

A new herd of Jelly Green’s vivacious cow paintings has just arrived. Their energy is infectious, their vitality contagious. They have a way of getting into my head and sticking in my mind. They’re the visual equivalent of earworms; they must be eyecows! Now I’m seeing cows all over town. Continue reading “Cows About Town”

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Signed, Sealed & Framed

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This is a letters patent, so called from the Latin verb pateo, to lie open, exposed, accessible. The originator’s seal was attached pendent from the document, so that it did not have to be broken in order for the document to be read. Letters patent are a form of open or public proclamation, though what they proclaim is not always patently obvious. Continue reading “Signed, Sealed & Framed”

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Gift Wrapped

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Susie Freeman brought us a few more pieces of work, just in time for Christmas. This one is already gift wrapped. Is the yellow ribbon significant? Is it part of the artwork? Not really. Susie opened the frame to swap its contents then couldn’t close it securely, so she tied it together. I like it. Maybe we should adopt this method of framing. Continue reading “Gift Wrapped”

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Blending In

Blending In

James Read brought five new paintings for display in the gallery, and then sent us a few words…

Blending In. The chameleon is presented larger than life and partially visible through layers of torn paper. Inspiration came from a bill posting site near my home in Oxford. Each new poster stands out for a day or two before blending rather beautifully into the soup of fragmented images. Continue reading “Blending In”

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