Six From Susan Foord

Summer Landscape

These are paintings of great sincerity and refinement. White paper is stretched over board, sized and primed, and then the search begins to find the image. Care is taken to avoid becoming too figurative, as if recalling a long since forgotten moment, a vision blurred with the passage of time. Perhaps a view from childhood. A distant memory evoked just as the dark closes in. A delicate membrane illuminated with light years of paint. It was Easter Sunday, day of resurrection, when I came to visit. Continue reading “Six From Susan Foord”

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Anish Kapoor At Lisson Gallery

An exhibition of painting, sculpture and three great amorphous lumps of whatever. If earth was flesh these might be rocks, torn from their sockets, wrapped like joints of meat in butcher’s muslin and displayed in bloodied gallery-size bites. Look closer and they’re dripping with glistening fingerprints, evidence of man’s inhumanity to the planet. I’m almost inclined to become vegetarian. Continue reading “Anish Kapoor At Lisson Gallery”

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Nine From Emily Phillips

Our newest window display features nine paintings by Emily Phillips, nine playful abstractions, explorations of line and colour and shape, improvised doodles in search of a melody. Emily trained as a painter of trompe l’oeil illusions but now she’s learning to relax and teaching her paintbrush to sing. Painting as playing as musical invention. Continue reading “Nine From Emily Phillips”

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Puzzlewood

Puzzlewood is the title of this gorgeous new painting by Jelly Green, one of a series of 35 paintings and drawings of woodlands around the UK that she has been working on over the last 12 months. They will be exhibited as part of the Alde Valley Spring Festival 2017, whose theme this year is Quercus & Co, a celebration of the English oak, woodland & local wildlife. It promises to be a wonderful show. It opens on 22nd April and runs until 21st May. More details here.

Jelly Green / The Rowley Gallery.

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Six From David Wiseman

David Wiseman brought us some new work, more tales of the riverbank, rich with the tangled delights of branches and lights, the sparkle-dance of leaves and water, ripples and shadows like liquid music. Look out for David’s paintings in the forthcoming Arborealists exhibition at the Nature in Art Gallery, Twigworth, Gloucestershire and then later in the year at Poitiers in France. Continue reading “Six From David Wiseman”

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Six From Andrew Walton

More beauties were delivered to the gallery recently (not by bus), paintings by Andrew Walton, mostly done on site at his beloved Otmoor, an area of wild wetlands north-east of Oxford – A place with a rich history. Riots caused by enclosures, inspiration for writers, Lewis Carroll & John Buchan. A bombing range from WW2 and still an MOD rifle range. RSPB reserve, site of many murmurations. Continue reading “Six From Andrew Walton”

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Six From Robert Newton

A box of paintings, newly arrived from Robert Newton, full of the smell of fresh oil paint even before the bubblewrap came off. A box of delights, each one thickly painted with quick strokes that capture the fleeting presence of the Northumberland landscape, seen in passing either by train, car or bicycle. They are tablets of immanent light held fast in Robert’s own handmade frames. Continue reading “Six From Robert Newton”

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Rowley Gallery Pots

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Usually I write a monthly blog post on my garden, but it’s been very quiet this last month (apart from Medge the Hedge wandering in to my next door neighbour’s garage and getting stuck in a wellington boot – rescue ensued). Therefore, I will forgo my gardening notes this time and write not of plant pots – but of paint pots. Continue reading “Rowley Gallery Pots”

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The Most Exciting Chapter

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The Most Exciting Chapter is the title of this unique screenprint created by Quentin Blake for the Nightingale Project, a charity which brightens up NHS hospitals through the arts. Prints are now available from The Rowley Gallery. Continue reading “The Most Exciting Chapter”

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No.0844

 

The Tower of Babel was an art installation by Barnaby Barford at the Victoria & Albert Museum from September to November 2015. The tower was built of 3000 miniature ceramic London shops, and ours was number 844. When the exhibition ended the tower was dismantled and the shops were delivered to their new homes. Continue reading “No.0844”

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