Château La Coste

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Château la Coste is a vineyard 15km north of Aix-en-Provence which, since 2004, has become home to a remarkable collection of art and architecture. Signs have been kept to a minimum and the entrance was not immediately obvious, but we eventually found our way to the elegant, new art centre designed by Tadao Ando and emerged alongside Crouching Spider by Louise Bourgeois. Continue reading “Château La Coste”

Frames of reference

Scullery

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Soon after I first arrived at The Rowley Gallery, maybe in 1988, I took advantage of the opportunity to use the shop window. I started making small drawings specifically to sell to benevolent passers-by. I began with a sheet of paper which I carefully tore and cut into pieces, each piece was worked on separately, lines inscribed/impressed into the paper, rubbed with layer upon layer of wax crayon, shaved with a Stanley knife blade then reassembled as a single sheet again. Continue reading “Scullery”

Frames of reference

Signs Of Chillida

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Last time we visited Lottie in Toledo she showed us this sculpture by Eduardo Chillida, hidden away beneath the city walls and previously overlooked. It’s called Lugar de Encuentros V (Meeting Place V); it’s like an open hand, positioned low to the ground, immediately inviting, waiting to hold you. I instinctively wanted to climb inside but I had to wait my turn, others were already in its embrace. Continue reading “Signs Of Chillida”

Frames of reference

The Light Of The South

Whilst I was writing my last post, Waiting For Inspiration, I started to realise how much I was longing to paint again, after a long eight month break. So as soon as it was finished I went to the local market and ordered some beeswax. I started painting in my studio again. I began without any images in my head, I just knew that I wanted lots of texture, hot colours and a feeling of spontaneity and freshness in the finished work. I used the landscape all around me to express this, but it wasn’t intentional, it wasn’t my starting point. Continue reading “The Light Of The South”

Frames of reference