Patrick Heron

It was the dark limbo daze between Christmas and New Year, when the days melt namelessly into each other and the sun goes on holiday. So we went to the seaside, looking for some winter colour. The Patrick Heron exhibition at Turner Contemporary in Margate was just the ticket. Continue reading “Patrick Heron”

Frames of reference

The Poetry Of Forms

To get the new year off to a good start we went down to Margate for a rare chance to see work by Hans/Jean Arp. He was born in Strasbourg, the son of a French mother and a German father. When he spoke in German he referred to himself as “Hans”, and when he spoke in French he referred to himself as “Jean”. It was a dual exhibition, but first we had to get past the crowds outside. Continue reading “The Poetry Of Forms”

Frames of reference

Entangled: Threads & Making

The Turner Contemporary at Margate, a light box of etched glass walls lined like graph paper, its warp and weft woven with Entangled: Threads & Making, the best exhibition I’ve seen in a long while.

…sculpture, installation, tapestry, textiles, and jewellery from the mid-20th century to the present day. It features over 40 international female artists who expand the possibilities of knitting and embroidery, weaving, sewing and wood carving, often incorporating unexpected materials such as plants, clothing, hair and bird quills. Continue reading “Entangled: Threads & Making”

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Seascapes & Seescapes

Harbour Scene at Sunrise, possibly Margate circa 1835-40 by Joseph Mallord William Turner 1775-1851

Two exhibitions, one in Greenwich, another in Margate, both featuring paintings by J.M.W. Turner, both spectacular. The image above is a watercolour from the Tate Collection, Harbour Scene at Sunrise, possibly Margate, so let’s begin in Margate. Continue reading “Seascapes & Seescapes”

Frames of reference