Rowley Gallery Blog
A windowful of pots, painted pots by David Stubbs and thrown pots by Chris Keenan, cool paintings, tactile vessels, handmade studies in repetition and variation, they’re all the result of a purposeful ritual and a prolonged gaze. Reflections of the artists’ hand and eye. Look closely and you’ll see me taking the photograph with one of David’s painted pots! Continue reading “November Pots”
We came down from Granary Square via the King’s Cross Tunnel. Its multicoloured lightwall appears to be a taste of things to come. This was back in August, school-holiday time, and our grandchildren were staying for a week, so before daytrips to Madame Tussauds, Brighton, Lavenham, the British Museum and Camden Lock, I suggested Tate Modern and we took a train to Blackfriars. Continue reading “In Real Life”
The Lisson Gallery at 27 Bell Street in London is presently home to a fascinating and wonderful collection of sculptures by Ai Weiwei, cast iron facsimiles of tree roots grubbed up from the Amazon rainforest even before the latest round of Bolsonaro inspired deforestation wildfires. Melancholy mementos of ancient trees untimely ripped and castaway via traditional Chinese craftsmanship. Continue reading “On Bell Street”
This time last year we’d recently returned from Sicily, and two sultry weeks in Ortigia, where the balcony of our apartment looked out over the sea. We watched through our crystal ball, waiting each day for a breeze, but the sailing boats passed by inverted, the air was still and we were becalmed. Continue reading “One Last Day In Ortigia”
A small collection of work by Chris Kenny in the window of The Rowley Gallery
Paintings in gouache and ink produced in Provence over the last five summers, each initiated by the biography of a saint, extending the Instagram @twigsaints project.
Constructions employing found materials – cut hardback book covers and twigs – that act as dynamic three-dimensional drawings provoking a range of associations without adhering to any explicit subject.
Chris Kenny has work in many collections including the British Museum, the V&A and the Museum of London. He is currently exhibiting at Mucem in Marseille. Continue reading “Scenes From The Lives Of The Saints”
Video: Peter Rudolfi / Performer: Ashley Bathgate / Composer: Andrew Norman
These visual illustrations attempt to complement a contemporary music take on Unaccompanied Cello music. This version is derivative of the iconic J.S. Bach Cello Suites written 300 years earlier with both compositions containing implied three-to-four-voice contrapuntal and polyphonic music in a single line. Uniquely, composer Norman adds ingenious changing metric structural patterns posing an added challenge to the performer. The effect is a rich rhythmic mosaic indicative of the Baroque aesthetic.
Lavenham is a pretty village in Suffolk built entirely from Sean Scully paintings. Continue reading “Lavenham”
Twelve framed hand-coloured linocuts by Liz Somerville in our window throughout August and September. They’re part of a suite of 48 prints called The Ways, celebrating four ancient paths through England. There’s also a limited edition concertina booklet of all the images in miniature. Continue reading “The Ways”
Last summer in Sicily, above the town of Palazzolo Acreide, in the Province of Syracuse, we found ourselves at the site of the ancient Greek city of Akrai. Nowadays a collection of stones, still being excavated, and the quarries from which they came, later occupied as cave homes and catacombs. Continue reading “Akrai”
SIGHT an unprecedented site-specific exhibition by British artist Antony Gormley. It marks the first time that a contemporary art exhibition is held on Delos, birthplace of Apollo and Artemis, since the sacred island was first inhabited more than five thousand years ago.
Gormley repopulates the island of Delos with iron ’bodyforms’, restoring a human presence and creating a journey of potential encounters. He has installed 29 sculptures made during the last twenty years, including 5 new works specially commissioned by NEON, both at the periphery and integrated amongst Delos’s archaeological sites. Curated by Iwona Blazwick OBE, Director, Whitechapel Gallery and Elina Kountouri, Director, NEON.
SIGHT is organized and commissioned by NEON and presented in collaboration with the Ephorate of Antiquities of Cyclades. 2 May – 31 October 2019
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Sight | Antony Gormley on the island of Delos