The Walls Of Toledo

Lottie said, ‘I don’t know why you’re wasting your time photographing autumn leaves, the story of Toledo is in its walls’. So, never one to ignore an idea for a blog post, and because there are few trees in Toledo, I began collecting images of the casco murallas. Continue reading “The Walls Of Toledo”

Frames of reference

Hardy Ash?

Last Sunday I went back to St Pancras Old Church for the first time since April (A Walk From King’s Cross) to see how the Hardy Tree was getting on. It is not a particularly grand tree, nor is it ancient but it is probably London’s most significant ash tree. With all the hysteria in the press I wondered if I would find signs here of ash dieback. Is this tree able to withstand the coming plague or is it doomed and this site to become a memorial to fraxinus excelsior? Continue reading “Hardy Ash?”

Frames of reference

Kite Paintings

Last Saturday, as a break from Christmas shopping and to escape the hectic West End crowds, I found a few moments of calm at the Gimpel Fils gallery amongst these wonderful Richard Smith paintings. The exhibition is called Kite Paintings and includes a group of rarely seen works from the 1970s, with canvas stretched on aluminium poles, recalling tents and sails as well as kites. Continue reading “Kite Paintings”

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Notes From St Ives

Just a few notes and pictures after a wonderful trip to St Ives. I was down to exhibit again with the National Acrylic Painters Association who were showing in the famous Crypt Gallery which in the 1940s was the venue of exhibitions by the Crypt group when St Ives was at the cutting edge of British painting and sculpture. Continue reading “Notes From St Ives”

Frames of reference

For James Ravilious

This is a short trailer for James Ravilious: A World In Photographs, a film by Hugh and Anson Hartford, originally shown on BBC Four and now available from Banyak Films. The first time I saw his photographs was in the early 1980s at an exhibition by Common Ground called Second Nature at the London Ecology Centre in Covent Garden. I came away with a beautiful photograph of sheep in the shade of an oak tree, In The Heat Of May, just one of 80,000 photographs he took of rural life in North Devon for the Beaford Archive between 1972 and 1999. He was the son of artist and designer Eric Ravilious, and he was a self-taught photographer. Read more at the James Ravilious website.

Frames of reference