Away With The Birds

Hanna Tuulikki’s ‘Air falbh leis na h-eòin’ is a body of work exploring the mimesis of birds in Gaelic song. On the 29th and 30th of August it becomes a sited performance on the Isle of Canna.

Hanna’s vocal composition, ‘Guth an Eòin | Voice of the Bird’ is the heart of the project. Written for a female vocal ensemble, it reinterprets archival material, fragmenting and re-weaving extracts of Gaelic songs into an extended soundscape. The music emerges from, and responds to, island landscapes and lives. It explores the delicate equilibrium of Hebridean life, the co-existence of tradition and innovation, and suggests the ever-present inter-relationship between bird, human, and ecology.

“The piece is made from weaving together fragments of traditional songs and poems that imitate or emulate birdsong” Tuulikki explains. “Each of the five movements represents a different habitat and bird community – wader, sea-bird, wildfowl, corvid, and cuckoo. In August we will perform the concert in the historic harbour of the beautiful Isle of Canna, where the music reverberates with the bird-calls and the ebb of the tide. The setting is so important to the piece. The Small Isles are a magical place and, to me, the performance begins as soon as people climb on-board the ferry-boat to make the crossing: the richness of the experience is people sharing a journey.”

www.awaywiththebirds.co.uk

Frames of reference

Greetings From Darktown

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Here’s a welcome poster from Jonny Hannah, a timely reminder that the end is nigh, not long to wait now until the publication of his eagerly awaited book, Greetings from Darktown. It promises to be a rich treasury of many and various eye-catching mementos and proclamations. Continue reading “Greetings From Darktown”

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Paco de Lucía

I’m out of the frame for a while. Whilst I’m away I’m leaving Paco in charge. This is some of the most suprising and exciting music ever invented. It’s diverting and engaging and definitely worth a look. He begins solo, then he’s joined by cajón, fingersnaps and handclaps, then voices and eventually a whole band of virtuosos, including a great flamenco dancer. The concert culminates in a dynamic duet finale with Al Di Meola. ¡Olé!

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The Sky At Snape

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SNAP HQ, a cor-ten steel shed at Snape Maltings, nerve centre of the SNAP visual arts programme for this year’s Aldeburgh Festival, directing our gaze towards the great Suffolk sky. Continue reading “The Sky At Snape”

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Wells & Mells

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Cathedral Green at Wells, the eternal stone partnered with an inflated upstart. We arrived just in time for the Somerset Schools Folk Dance Festival, a ceilidh for more than 2,000 primary school children, all stepping and skipping and turning circles on the green. Continue reading “Wells & Mells”

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Beetle, Crayfish & Mussel

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Two new prints just arrived from Beatrice Forshall, both drypoints printed from multiple plates in small editions and hand-coloured, which means they’re short-lived and not designed for mass production. It’s a form that suits the content, since these are images of endangered species. This tansy beetle is just a detail; for the complete picture, and Bea’s thoughts on the subject, please see below. Continue reading “Beetle, Crayfish & Mussel”

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Mike McInnerney At Kensington Place

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We recently installed a green wall at Kensington Place. Mike McInnerney is the seventh artist to occupy their Art Wall and he’s filled it with a fantastic forest of trees. Continue reading “Mike McInnerney At Kensington Place”

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For Charlie Haden

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I first knew Charlie Haden from his Liberation Music Orchestra in 1970. It still stands as my favourite album. I later discovered his work with Ornette Coleman, Don Cherry, Carla Bley, Keith Jarrett, Pat Metheny, Alice Coltrane, Bill Frisell, Geri Allen… He stood as a signpost to some of the best music of the past 50 years. His death last Friday from post-polio syndrome is a sad loss of a truly great artist. There’s a beautiful reminder of him here, but the best way to know Charlie is to listen to his music…

Charlie Haden: Song For Ché

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