Trees – Page 28 – Frames of Reference

Like The Clappers

A circular walk from Harlington train station to Sharpenhoe Clappers and back again. The first leg memorable for a troop of scramble-bikes echoing around the combe up to Sundon. Then onto National Trust territory protected by kissing-gates, designed to deter motor-cycles. The stretch from Sundon Hills is the loveliest chalk downland, the birdsong only occasionally drowned out by model aeroplane enthusiasts. The views north towards Ampthill and Marston Vale are panoramic. Continue reading “Like The Clappers”

My Life As A Tree

Last summer on holiday in Catalonia, we visited Girona where we chanced upon this striking installation by Àlex Nogué. It occupied one room of a small municipal exhibition space, Bolit-La Rambla. It consisted of 28 sheets of paper with ink and pencil drawings on the back wall, 56 trays filled with water on the floor, 2 digital second counters on the ceiling, one counting forwards and one counting backwards. It was possible to step through the hole in the wall and walk around the installation, but really best viewed from this position where it appears framed. It seemed to be an archetype, a symbol of time & place, heaven & earth, shadow & light, growth & decay. It was so simple and elegant and memorable, and more perfect for being found by accident. Continue reading “My Life As A Tree”

Le Quattro Volte

I’ve just seen the most beautiful film. It’s undeniably slow but that’s not to say it isn’t action packed. There’s a lot to look at. There is no spoken dialogue as such, just a sequence of gorgeous images that make up a visual poem. It’s premise is the Pythagorean idea that there is a four-fold transmigration of souls, from human to animal to vegetable to mineral. The film follows the passage from man to goat to tree to charcoal, the soul moving through four successive lives, to be discovered four times. It is set in the present day in a medieval village in Calabria. The goats are the stars, but there is one amazing prize-winning performance from a dog. This is my favourite film and I can’t wait to watch it again.

See Philip French’s review in The Guardian, but better still see the film.

Family Tree

A long-limbed family tree painting on paper, so wide that standard picture frame moulding was not long enough and we had to have the lengths for this frame specially cut. It measured 3.2 metres long and 1 metre high and it was glazed with ultraviolet filter acrylic.

Wistman’s Wood

When Howard Phipps first showed me this engraving it seemed to refer to a type of oak wood more familiar from France or Spain. I was so intrigued by it that I asked if he might write something for us, and here is his reply: Continue reading “Wistman’s Wood”

Paintings From The 1960s

A group of paintings by John Hubbard made during the 1960s will be exhibited at the New Art Centre near Salisbury, from 4 February until 15 April. His work from this time, though based on landscape, was essentialy dealing with atmosphere and the movement of light, rather than any specific feature of the landscape. He quotes Turner’s words, saying he was trying to consider “every part as receiving and emitting rays to every surrounding surface”. Continue reading “Paintings From The 1960s”

The Dunmore Pineapple

This is one of eight recently arrived pieces from Ed Kluz, made of painted paper, cut out and collaged scenes from Scotland. The Dunmore Pineapple is a summerhouse in the grounds of Dunmore Park, 30 miles north west of Edinburgh. It is available to let from The Landmark Trust, and this dramatic moonlit dream’s-eye view may well be the result of an overnight stay. Continue reading “The Dunmore Pineapple”