Ouvrez Les Fenêtres De Votre Coeur

The Rowley Gallery has a new, hand-painted February window. It’s a vibrant cornucopia of visual delights. The notice reads Ouvrez Les Fenêtres De Votre Coeur: A Darktown Valentine’s Window by Jonny Hannah, and wherever you look you’ll find lovehearts on parade. Along the front lower edge of the window there’s a collection of found records, their sleeves lovingly repainted and still containing a vinyl disc, though not necessarily the one illustrated on the cover. Continue reading “Ouvrez Les Fenêtres De Votre Coeur”

Frames of reference

A Visit To Corsica

Our first sight of Corsica from the plane as it flies down the west coast of the island to Figari airport. Later we identified the jagged peaks on the horizon as the Aiguilles de Bavella, seven granite needles of the Alta Rocca region in southern Corsica. Continue reading “A Visit To Corsica”

Frames of reference

Table Work

In my Scottish studio, I work on a table. Constructed in pine, it is rather battered but stable and came from a farmhouse in Gloucestershire. It was given to me by Lily Messenger, who had lived in Rodmarton before moving to Amberley, the village where we lived at that time. As our next-door neighbour, Mrs Messenger also lent me an attic room in which I worked for several years until we moved to Scotland in 1990. Before marriage, she had been Lily Bucknell, from a family of blacksmiths and wood-workers and who belonged to the Guild of Gloucestershire Craftsmen. This is only significant because my own Guild membership led to meeting highly skilled artists and craftsmen from whom I learned much concerning materials and ways of making things. Continue reading “Table Work”

Frames of reference

In Arezzo

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On the first Sunday of each month the streets of Arezzo are lined with stalls filled with antiques and bric-a-brac for the Fiera Antiquaria, one of the best known antiques markets in Italy. Continue reading “In Arezzo”

Frames of reference

Otmoor

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I was born just after WW2. My parents had moved to Noke when they married in the early 1940s. We lived in a tiny cottage, totally lacking modern amenities. No electricity, water from the well and an earth loo in ‘The Elm Barn’, a shed with a grand name, all set in a third of an acre of orchard. An artist’s retreat from the hurly burly of war torn London. This was my world. Apple trees to climb, a stream to splash in, and a duck pond beyond the gate where my brother and I sailed catamaran boats whittled from elder sticks. Continue reading “Otmoor”

Frames of reference

Otmoor: Moonlight & Myths

OtmoorMoonscreen

I was born just after WW2. My parents had moved to Noke when they married in the early 1940s. We lived in a tiny cottage totally lacking modern amenities. No electricity, water from the well and an earth loo in ‘The Elm Barn’, a shed with a grand name, all set in a third of an acre of orchard. An artist’s retreat from the hurly burly of war torn London. This was my world – apple trees to climb, a stream to splash in, a duck pond beyond the gate where my brother and I launched catamaran boats whittled from elder sticks. The village was a place apart – a road petering out on the edge of the moor, smelling of cows and cow parsley, deep ditches fringed by pollard willows and a huge sky. This is the place my life started. Continue reading “Otmoor: Moonlight & Myths”

Frames of reference

Living Tree

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It’s said they planted trees by graves
to soak up spirits of the dead
through roots into the growing wood.
The favorite in the burial yards
I knew was common juniper.
One could do worse than pass into
such a species. I like to think
that when I’m gone the chemicals
and yes the spirit that was me
might be searched out by subtle roots
and raised with sap through capillaries
into an upright, fragrant trunk,
and aromatic twigs and bark,
through needles bright as hoarfrost to
the sunlight for a century
or more, in wood repelling rot
and standing tall with monuments
and statues there on the far hill,
erect as truth, a testimony,
in ground that’s dignified by loss,
around a melancholy tree
that’s pointing toward infinity.

Living Tree by Robert Morgan from Dark Energy, Penguin Books 2015

Frames of reference