Radical Times is the title of an exhibition of paintings by Stanley Whitney at the Lisson Gallery. I walked here via Church Street Market, past the antique shops and the exuberant fruit & veg stalls. Continue reading “Radical Times”

Rowley Gallery Blog
Radical Times is the title of an exhibition of paintings by Stanley Whitney at the Lisson Gallery. I walked here via Church Street Market, past the antique shops and the exuberant fruit & veg stalls. Continue reading “Radical Times”
Downs Study from Beachy Head
This series of landscape works has been painted entirely on location. They are a direct response to what I saw and the experience of being in the landscape. I have always worked from direct observation and never seen the point of working away from the subject matter. That is because I do not paint pictures of things, I make studies. Continue reading “Downland Landscapes”
Sudbury is a place we often pass through on our way to somewhere else. But this time we stopped for a closer look and pretty soon we realised we’d already done this walk before. It all fell back into place.
The market town of Sudbury has a unique feature on its doorstep. The Sudbury Common Lands make up some 115 acres of water-meadows on the flood plain of the River Stour. Cattle and horses graze here, as they have for a thousand years, and the area is crossed by footpaths, making it perfect for a peaceful walk. Continue reading “Around Sudbury”
I’d often wondered about Shoreham. It’s famous as the inspiration for many of Samuel Palmer’s bucolic paintings, but on the map it’s surrounded by motorways, an edgeland bordered by the M20, the M25 and the M26. I suppose I’d worried that it’s spell must have been broken. But then after a recent visit to Ankerwycke, also on the rim of the M25, I realised that magic can persist. Continue reading “Around Shoreham”
In Cambridge to visit the recently opened Heong Gallery, a former stable block in the grounds of Downing College, transformed by architects Caruso St John into an elegant space for the display of modern and contemporary art. Continue reading “Generation Painting”
A Walk In The Woods
There’s a lovely and surprising exhibition by Jelly Green at the Alde Valley Spring Festival, and there’s not a single cow in sight! She’s abandoned her usual subject matter and gone for a walk in the woods, and lost herself in the green and tangled delights of the trees, and found herself there. Continue reading “A Walk In The Woods”
I was born just after WW2. My parents had moved to Noke when they married in the early 1940s. We lived in a tiny cottage, totally lacking modern amenities. No electricity, water from the well and an earth loo in ‘The Elm Barn’, a shed with a grand name, all set in a third of an acre of orchard. An artist’s retreat from the hurly burly of war torn London. This was my world. Apple trees to climb, a stream to splash in, and a duck pond beyond the gate where my brother and I sailed catamaran boats whittled from elder sticks. Continue reading “Otmoor”
Musée des Civilisations de l’Europe et de la Méditerranée
MuCEM was opened in 2013 as part of the Marseille Capital of European Culture celebrations. The museum is dedicated completely and totally to the Mediterranean, to its history, civilisations and its culture. It’s all about the life that has developed out of the Mediterranean from its earliest histories to the tensions and conflicts of our own time. Continue reading “MuCEM”
As a birthday treat Sue took me for a walk on the Dengie Peninsula on the far eastern shore of Essex. She had her eyes on the horizon. We arrived via Burnham-on-Crouch, a pretty Georgian estuary town but with the saddest fish & chips and a clown to scare the children. His car was parked next to ours. We made our escape towards Southminster, but we got ensnared by the Burnham Loop where we revolved time and again around the endless fenlands (afeared lest we contract Dengie Fever from the mosquito-infested swamps) until finally we saw the error of our ways (a misplaced signpost) and we were at last expelled to Tillingham and ultimately onwards to Bradwell-on-Sea. Continue reading “To The Horizon”
Hambledon Hill
Out of the Wood is an exhibition of wood engravings by Howard Phipps at The Art Stable, Child Okeford, Dorset from 16 April until 7 May 2016. The gallery is situated in the courtyard of Gold Hill Organic Farm, next to the farm shop, and looks out towards the iron age hill fort of Hambledon Hill.