Rowley Gallery Blog
In Cambridge to visit the recently opened Heong Gallery, a former stable block in the grounds of Downing College, transformed by architects Caruso St John into an elegant space for the display of modern and contemporary art. Continue reading “Generation Painting”
A Walk In The Woods
There’s a lovely and surprising exhibition by Jelly Green at the Alde Valley Spring Festival, and there’s not a single cow in sight! She’s abandoned her usual subject matter and gone for a walk in the woods, and lost herself in the green and tangled delights of the trees, and found herself there. Continue reading “A Walk In The Woods”
I was born just after WW2. My parents had moved to Noke when they married in the early 1940s. We lived in a tiny cottage, totally lacking modern amenities. No electricity, water from the well and an earth loo in ‘The Elm Barn’, a shed with a grand name, all set in a third of an acre of orchard. An artist’s retreat from the hurly burly of war torn London. This was my world. Apple trees to climb, a stream to splash in, and a duck pond beyond the gate where my brother and I sailed catamaran boats whittled from elder sticks. Continue reading “Otmoor”
Musée des Civilisations de l’Europe et de la Méditerranée
MuCEM was opened in 2013 as part of the Marseille Capital of European Culture celebrations. The museum is dedicated completely and totally to the Mediterranean, to its history, civilisations and its culture. It’s all about the life that has developed out of the Mediterranean from its earliest histories to the tensions and conflicts of our own time. Continue reading “MuCEM”
As a birthday treat Sue took me for a walk on the Dengie Peninsula on the far eastern shore of Essex. She had her eyes on the horizon. We arrived via Burnham-on-Crouch, a pretty Georgian estuary town but with the saddest fish & chips and a clown to scare the children. His car was parked next to ours. We made our escape towards Southminster, but we got ensnared by the Burnham Loop where we revolved time and again around the endless fenlands (afeared lest we contract Dengie Fever from the mosquito-infested swamps) until finally we saw the error of our ways (a misplaced signpost) and we were at last expelled to Tillingham and ultimately onwards to Bradwell-on-Sea. Continue reading “To The Horizon”
Hambledon Hill
Out of the Wood is an exhibition of wood engravings by Howard Phipps at The Art Stable, Child Okeford, Dorset from 16 April until 7 May 2016. The gallery is situated in the courtyard of Gold Hill Organic Farm, next to the farm shop, and looks out towards the iron age hill fort of Hambledon Hill.
The Arborealists will stage their third exhibition at St Barbe Museum and Art gallery, Lymington, 23rd April – 4th June 2016, featuring new works by 35 artists. Each will show just one work to emphasise the diversity of art practice prevalent within the group – in terms of size, medium, style and philosophy. Continue reading “The Arborealists”
I’m fascinated by the structural qualities of leaves. The veins convey the lifeblood to the leaf and often echo the physical structure of the tree – trunk, branches, twigs – in miniature. These fractal-like qualities inspired me to paint trees on dried leaves, which were collected last autumn. Some were pressed, while others were left to dry in their natural shape. Continue reading “Trees On Leaves”
The Alde Valley Spring Festival 2016
A four week celebration of food, farming, landscape & the arts
Saturday 23rd April – Sunday 22nd May 2016
White House Farm, Great Glemham, Suffolk IP17 1LS
Festival Exhibition – Open 10am-6pm, Tues – Fri, Sat & Sun + Bank Holidays
Stuart Anderson, Melanie Comber, Daisy Cook, Marchela Dimitrova, Peter Dibble, Laurence Edwards, Alice-Andrea Ewing, Richard Elliott, Meriel Ensom, George Farrow-Hawkins, Tobias Ford, Jason Gathorne-Hardy, Emma Green, Jelly Green, Maggi Hambling, Roger Hardy, Mercury Hare, Craig Hudson, Nienke Jongsma, Tory Lawrence, Ffiona Lewis, Otis Luxton, Caroline MacAdam Clark, Freddy Morris, Becky Munting, Tessa Newcomb, Sarah Pirkis, Ruth Stage, Leszek Zielinski.
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The watercolour illustrated above is Leaves in an English Wood (151 x 29 cm) by Jelly Green.
I was born just after WW2. My parents had moved to Noke when they married in the early 1940s. We lived in a tiny cottage totally lacking modern amenities. No electricity, water from the well and an earth loo in ‘The Elm Barn’, a shed with a grand name, all set in a third of an acre of orchard. An artist’s retreat from the hurly burly of war torn London. This was my world – apple trees to climb, a stream to splash in, a duck pond beyond the gate where my brother and I launched catamaran boats whittled from elder sticks. The village was a place apart – a road petering out on the edge of the moor, smelling of cows and cow parsley, deep ditches fringed by pollard willows and a huge sky. This is the place my life started. Continue reading “Otmoor: Moonlight & Myths”