The Wave

A spectacular Navajo sandstone formation, known as The Wave, at Coyote Buttes in the Arizona desert, south west United States. This place is difficult to find, there are no signposts and it is accessible only by foot. The picture is from Eyewitness, a series of often remarkable photographs on the Guardian website. I was reminded of it by Liz Somerville’s image at the end of yesterday’s post.

Frames of reference

Dorset Landscapes

On Sunday I went down to Roche Court near Salisbury to see John Hubbard’s Paintings From The 1960s. They are beautiful atmospheric condensations on canvas and paper, displayed in a small light filled gallery in a corner of a garden overwhelmed with sculpture. This tranquil space is a refuge and standing before Rocky Woodland especially I was in a green shade reminded of the undercliff at Lyme Regis. There’s a lot to see. But I was not allowed to photograph it. So I will make do with some we framed earlier, for another exhibition, but one I now discover has just finished! Continue reading “Dorset Landscapes”

Frames of reference

The Weight

This is a follow up to the post last month on January 14. I’d forgotten then about this earlier performance of The Weight by The Band from Martin Scorsese’s film The Last Waltz, which also features a guest appearance by Mavis Staples, along with her father and sisters from The Staple Singers. A righteous sound indeed.

Frames of reference

Don’t Stop The Carnival

On Friday 17 February at 9 pm BBC Four are broadcasting Beyond The Notes, a film by Dick Fontaine which is centred on the 80th Birthday Concert for Sonny Rollins at New York’s Beacon Theatre in September 2010. There are guest appearances from Jim Hall, Roy Haynes and Ornette Coleman. Continue reading “Don’t Stop The Carnival”

Frames of reference

The Goggle-Eyed Goats

Christopher Corr has been working on a new book. It was created in collaboration with Stephen Davies. It will be published simultaneously by Andersen Press in the UK and by Editions Gallimard in France. It will be launched on March 1st, from 6-8pm at The Rowley Gallery. Continue reading “The Goggle-Eyed Goats”

Frames of reference

For Paul Motian

I only just heard of his death. I wasn’t paying attention. 1931-2011. I first heard him with Keith Jarrett and Charlie Haden. His way of playing was unique. Such a sad loss. I can’t write an obituary but there are many on the internet, here’s one at the Guardian. I heard the news from Bill Frisell.

This is one of my favourite pieces. He dances on the drum kit.

Frames of reference