Fanny Shorter was asked to design the packaging for a new 24 hour watch by Mr Jones. She used it as an opportunity to illustrate the life-cycle of the mayfly, which as an adult lives for just one day. Continue reading “Time Mayfly”

Rowley Gallery Blog
Fanny Shorter was asked to design the packaging for a new 24 hour watch by Mr Jones. She used it as an opportunity to illustrate the life-cycle of the mayfly, which as an adult lives for just one day. Continue reading “Time Mayfly”
So we’re all looking forward (in no particular order) to Christmas, The Mayan ‘Apocalypse’ 21/12/12, The Euro Apocalypse / the imminent Bond Market collapse, the next high flying celebrity to crash and burn, the next Flood, the first nuclear war, escape to the Moon/Mars…. etc. And I was thinking how could a painter find any relevance with all this going on. But the internet is a wonderful thing for connecting anything to everything and a reminder that these type of events constantly recur, that the oldest themes in art are the best and that there’s nothing new under the sun. Continue reading “Apocalypse Now (Or Maybe Tomorrow)”
In his recent autumn statement, the chancellor George Osborne, as far as I know, did not make any reference to either falling leaves, early frosts, golden hues or mists and mellow fruitfulness and not that I am an admirer of Mr Osborne, I will never the less try to follow his lead and not dwell on its well know visual attributes. Because lets face it, as seasons go, autumn is a bit of a cliché and for any artist who doesn’t aspire to see their work adorning biscuit tins or tacky calendars it is definitely one to be avoided. This was (I convinced myself) my opinion when a couple of years ago I received a private commission to paint a picture depicting autumn and for a long time I pretended that autumn’s corny overtones were the reason I could never seem to start the picture. Continue reading “Autumn Statement”
In February 1990, I took a plane from the beautiful and vibrant crazy beach city of Rio de Janeiro via Sao Paulo to the futuristic capital city Brasilia. Located in the savannah, centrally placed in the country, the shape of the new city is designed to look like an aeroplane. It was laid out by Lucio Costa, the father of modern Brazilian architecture who in turn chose Oscar Niemeyer to realise the poetry and optimism of the new Brazil. Continue reading “For Oscar Niemeyer”
Whilst I was admiring the walls of Toledo, Dominic was getting up close and personal with the walls of Battersea Power Station, and encouraging lots of donations for the Stroke Association. Continue reading “A Wall In Battersea”
Lottie said, ‘I don’t know why you’re wasting your time photographing autumn leaves, the story of Toledo is in its walls’. So, never one to ignore an idea for a blog post, and because there are few trees in Toledo, I began collecting images of the casco murallas. Continue reading “The Walls Of Toledo”
Mary Kuper is presently exhibiting a series of prints and illustrations, inspired by the ever changing meanings of words, at the Free Word Centre in Clerkenwell.
Last Sunday I went back to St Pancras Old Church for the first time since April (A Walk From King’s Cross) to see how the Hardy Tree was getting on. It is not a particularly grand tree, nor is it ancient but it is probably London’s most significant ash tree. With all the hysteria in the press I wondered if I would find signs here of ash dieback. Is this tree able to withstand the coming plague or is it doomed and this site to become a memorial to fraxinus excelsior? Continue reading “Hardy Ash?”
Last Saturday, as a break from Christmas shopping and to escape the hectic West End crowds, I found a few moments of calm at the Gimpel Fils gallery amongst these wonderful Richard Smith paintings. The exhibition is called Kite Paintings and includes a group of rarely seen works from the 1970s, with canvas stretched on aluminium poles, recalling tents and sails as well as kites. Continue reading “Kite Paintings”