Kind Of Red

Sean_Scully_Kind_of_Red_hero

A quintet of five new paintings by Sean Scully entitled Kind of Red, at the Timothy Taylor Gallery. This is painting as a martial art: prepare, focus, get to work; there’s a no-nonsense approach to these blocks of colour thrown onto huge sheet metal plates, rocking in rhythm across the wall. It’s easy to imagine Scully dancing before them wielding a fat wall-painting brush. And in the exhibition catalogue there’s a wonderful, curious and perceptive essay by Richard Williams. Continue reading “Kind Of Red”

Frames of reference

Matisse, Scissors, Paper

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We finally got to see Henri Matisse: The Cut Outs, the long awaited exhibition at Tate Modern, though perhaps a wet bank holiday Monday during half-term was not the ideal time to visit. Continue reading “Matisse, Scissors, Paper”

Frames of reference

The Bullfinch

The Bullfinch 2014

The bullfinch is surrounded by fragments of information describing both the natural and man-made world. There is a sense that this information has been sought, viewed and downloaded on a hand held screen. This is indicated by the excellent wireless signal displayed in the top right hand corner.

James Read’s The Bullfinch is included in this year’s Royal Academy Summer Exhibition.

See more by James Read at The Rowley Gallery.

Frames of reference

Foam To Femme

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Much of last year I worked with my Pharmacopoeia partner, GP Liz Lee, on a commission for Denmark. Medicinsk Museion is a combined research unit and public museum at Copenhagen University, which in recent years reinvented itself by developing insightful, contemporary exhibitions alongside their historical collection of medical equipment and artefacts. Continue reading “Foam To Femme”

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Sailing To Shanghai

Sailing to Shanghai

This is Sailing To Shanghai, an early painting by Christopher Corr. We sold it recently to a fellow traveller who was curious to know its story, so I asked Christopher for more information. He sent us a few words and a lot more images. Continue reading “Sailing To Shanghai”

Frames of reference