See more by Jonny Hannah at The Rowley Gallery.

Rowley Gallery Blog
Christopher Corr has been working on a new book. It was created in collaboration with Stephen Davies. It will be published simultaneously by Andersen Press in the UK and by Editions Gallimard in France. It will be launched on March 1st, from 6-8pm at The Rowley Gallery. Continue reading “The Goggle-Eyed Goats”
…my feelings will not be repressed. You must allow me to tell you how ardently I admire and love you. Mr Darcy Loves Miss Elizabeth. Pride And Prejudice. Continue reading “Love Tokens”
I only just heard of his death. I wasn’t paying attention. 1931-2011. I first heard him with Keith Jarrett and Charlie Haden. His way of playing was unique. Such a sad loss. I can’t write an obituary but there are many on the internet, here’s one at the Guardian. I heard the news from Bill Frisell.
This is one of my favourite pieces. He dances on the drum kit.
When Howard Phipps first showed me this engraving it seemed to refer to a type of oak wood more familiar from France or Spain. I was so intrigued by it that I asked if he might write something for us, and here is his reply: Continue reading “Wistman’s Wood”
A mint condition 1966 record sleeve, of thick cardboard typical of US albums of the time, with eyeconic psychedelic artwork by John Cleveland. It is set in a deep bevelled mount with an incongruously rustic frame, seen here sitting on an easel. I veneered three faces of the moulding with a gnarly oak burr, then stained it and finished with French polish. Continue reading “Strange Meeting”
At The Rowley Gallery we just rehung the back wall with Elisabeth Lecourt’s map-dresses. They look fantastic. We’ve had her work for a while but not had the chance to see them altogether until now. They seem almost magical in the way she creates one thing out of another thing, the transformation from map to dress to metaphor. Continue reading “Address As A Dress”
Joseph Silcott came to see us today and reminded me that Valentine’s Day is not far away. How could I forget? He arrived with six new pieces, two of which are shown here. The first, L.O.V.E. Love, gives a deferential nod to Robert Indiana and is named after a song by Al Green. Continue reading “Sweet Nothings”