I was just reading Melissa Harrison on the lifelong benefits of outdoor play and it seemed the appropriate moment to dig out this scruffy old photo. There seems to be a lot of concern about nature defecit disorder, a term coined by Richard Louv in his book Last Child in the Woods. The National Trust commissioned a Natural Childhood Report which showed how a generation of children are losing touch with the natural world. It seems we were the lucky ones, this merry band; I’m on the left, alongside Stephen, Stephen, Stephen, Stephen and Michael. We would dam streams to make pools for bathing, with wagtails and dippers and once a kingfisher; we knew perfect climbing trees with branches in all the right places, and often puddles of water in the crevices; we’d forage for blackberries and wimberries and sorrel and others too sour to swallow; we found water boatmen, pond skaters, caddisfly cases, tadpoles, newts, eggs in birdsnests, foxgloves, horsetails, sheep skulls, and a blade of grass stretched between thumbs for a birdcall. All without fluorescent yellow tabards.
Category: Photography
The New Louvre | Small
Aaron Kasmin is showing a small selection of small still-life drawings in an exhibition entitled Small at Fred Torres Collaborations in New York together with 19th century photographic prints by Edouard Baldus entitled The New Louvre. More details here.
Hamer Man & The Stalled Ox
Dominic wanted to tell Jelly Green a short story by Saki about the man who painted cows. He couldn’t remember what it was called so, rather than walk to the public library, he searched for it on Google. Somehow “man” + “painted” + “cows” led him to the discovery of the Hamer tribe in Ethiopia. I’m ashamed to say I’d not heard of them before. I had no idea. Could these be my ancestors? Is this why I’m fond of cows? Not so sure about the whipping. Maybe it’s time to visit Ethiopia. Continue reading “Hamer Man & The Stalled Ox”
William Morris Gallery
The William Morris Gallery is at Water House in Lloyd Park, Forest Road, Walthamstow. William Morris was fourteen when his family moved here in 1848. They had downsized from Woodford Hall where William’s playground had been Epping Forest. At Water House he played in the grounds, particularly the moated island where he imagined there be dragons. Continue reading “William Morris Gallery”
Winter Trees
First there was this Christmas card from a painting by Mick Moon, made with oil paint & string on board and called simply Tree. Then I heard the three Staveley-Taylor sisters (aka The Staves) singing Winter Trees:
Winterlude
Notting Hill Gate
This is how Notting Hill Gate looked in the 1920s. It was described as one of the most fashionable shopping areas in London. The Metropolitan Railway station can just be seen on the right and the Central Line station is on the left, under the TUBE sign. Swing round 45° anticlockwise and you’re looking down Kensington Church Street, home to the ever fashionable Rowley Gallery. Continue reading “Notting Hill Gate”
Puri Christmas
Another photograph from the Guardian’s Eyewitness series. These are some of the 500 sculptures of Father Christmas created by students of the sand artist Sudarshan Pattnaik on the beach at Puri in Orissa, India.
For James Ravilious
This is a short trailer for James Ravilious: A World In Photographs, a film by Hugh and Anson Hartford, originally shown on BBC Four and now available from Banyak Films. The first time I saw his photographs was in the early 1980s at an exhibition by Common Ground called Second Nature at the London Ecology Centre in Covent Garden. I came away with a beautiful photograph of sheep in the shade of an oak tree, In The Heat Of May, just one of 80,000 photographs he took of rural life in North Devon for the Beaford Archive between 1972 and 1999. He was the son of artist and designer Eric Ravilious, and he was a self-taught photographer. Read more at the James Ravilious website.
Ago Del Torrone
Sue sent me this awesome photo by Robert Bösch. It seemed a natural follow up to yesterday’s It’s High Time. It’s another from the Eyewitness series. It shows 28 climbers striking a pose as they climb the Ago del Torrone in northern Italy, transforming it into some kind of weird alpine cactus.