Rowley Gallery Blog
A couple of weeks earlier we walked in Burnham Beeches, where, according to England in Particular – the largest assembly in the world (of pollarded and coppiced beeches) still stands… acquired by the Corporation of the City of London in 1880 to protect it from development. Continue reading “Burnham Beeches”
I’d heard of a Daguerrotype but not a Woodburytype until this one arrived on our counter for framing. Developed by Walter B Woodbury in 1864, the Woodburytype has been described as – ‘the most beautiful photographic reproduction process ever invented’. Continue reading “A Close Obama”
Photographs by obsessive compulsive tube photographer Bob Mazzer from the 1970s and 1980s; scenes from a subterranean netherworld, neither here nor there, suspended between departure and arrival, an in-between place of shared destiny, temporary community, surrendered dignity. Continue reading “London Underground”
These tiny cows are the missing link between Susie Freeman and Jelly Green. I can imagine them displayed in knitted pockets (Captive Friesians) or portrayed with bright and lively brushstrokes (Captivating Herd). I borrowed the photo from Eva the Weaver.
Hanna Tuulikki’s beautiful gestural images from her Dawyck visit speak of the correspondence between humans and trees, long celebrated in folklore and myth.
I found these wonderfully eloquent photographs at Walking With Poets via Hanna Tuulikki’s Diary.
I hope she won’t mind if I share them here. Continue reading “Venation”
Herewith a message from Robert Macfarlane:
I’ve come to realise, in the eight years since I first wrote about holloways, that many people share my fascination with these sunken lanes, which have been harrowed down into the landscape by the passage of feet and rainwater (and sometimes 4x4s…). People have sent me photographs of the holloways they know, the paintings and sketches they have made of them, maps with their locations indicated, or the stories, memories and folklore they associate with them. Continue reading “Flickr: Holloway”
This is for Ivor Cutler, in performance at the Theatre Royal, Drury Lane with The Roches, in the next seat at a Dollar Brand concert at Camden Town Hall, in the same train carriage from Hampstead Heath to Gospel Oak, now sadly departed. Also for Cosmo the cat, Beautiful Cosmo. These colour photographs are 100 years old from Russia. Cosmo is 15 years old from a cat shelter in Haringey.
Samuel Beckett rehearsing Endgame and ‘having an idea’ with the San Quentin Drama Workshop at Riverside Studios in Hammersmith in 1980. I worked there intermittently in those days, even had a small exhibition of my paintings there, and the house photographer Chris Harris, knowing how much I loved Beckett, gave me a print of this photograph for my birthday. Continue reading “Beckett At Sixty”
We’ve been selling these ‘lenticular’ cards at The Rowley Gallery for a while now. They’ve been very popular. Seen from one angle the eye is open, look again and it’s closed. Lenticular printing is a process of combining two or more images on the surface of a corrugated plastic lens. (I don’t think lenticular has anything to do with Lent in particular.) Continue reading “Flicker Pictures”
Meanwhile Sue was in another wood, not Hollywood but Pinewood Studios where her father worked as a boom operator, and where she proudly introduced Tilly, her pet griffon to Marlon Brando. Continue reading “Sue, Tilly & Marlon”