The Flowers That Did In Eden Bloom

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In a series of painstakingly constructed works using found materials Chris Kenny examines and muses on the notion of Paradise: our attempt to define it, build it, reach it or perhaps remember it. Rows of little wooden houses built from abandoned amateur landscape paintings are incised with the names of ideal worlds: Arcadia, Elysium, Utopia. They poignantly demonstrate the common desire to make a heaven on earth, a perfect garden, a harmonious society.

Chris Kenny’s exhibition is at Pitzhanger Manor Gallery, 26 April – 11 May 2014. More details here.

Frames of reference

Art & Life (& Memory)

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This painting by Ben Nicholson, titled c.1930 (Cornish Port), features on the cover of Art and Life 1920-1931, the catalogue for the exhibition at Kettle’s Yard in Cambridge, examining the artistic partnership of Ben Nicholson and Winifred Nicholson in the 1920s and their friendship and collaboration with Christopher Wood, Alfred Wallis and the potter William Staite Murray. Continue reading “Art & Life (& Memory)”

Frames of reference

Return To Hampstead Heath

Rembrandt_Self_Portrait_with_Two_Circles_detail

Rembrandt returned to Hampstead Heath last November, back home again to Kenwood House after a holiday whilst the decorators were in. Self Portrait With Two Circles travelled to New York, Houston, Milwaukee, Seattle and Arkansas whilst Kenwood House was closed for over a year for maintenance work. I always like to call in to say hello whenever we’re passing so it was good to catch up. Continue reading “Return To Hampstead Heath”

Frames of reference

Architexture

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It was my birthday on 9th January and I managed to drag my husband on a trip abroad. I could choose any destination as long as airports weren’t involved. It was lucky, as when we got to passport control at Kings Cross International (20 mins. drive away from home), it was politely pointed out to him that his passport was 4 months beyond it’s sell-by date, and they still let us through! Continue reading “Architexture”

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Victor Skipp

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Kettle’s Yard are presently hosting – A Lasting Legacy: The House and Collection of Victor Skipp. When he died in 2010 Victor Skipp left his estate to Kettle’s Yard. He was a writer and historian with a passion for art and philosophy. This exhibition reflects his many interests, with displays of modernist and minimalist art side by side with tribal rugs, African sculpture, Indian miniatures, folk art and vernacular architecture: a perfect complement to the existing Kettle’s Yard collection. Continue reading “Victor Skipp”

Frames of reference

By Your Grace

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This recording was made at Grace Cathedral, San Francisco in 1971 by Paul Beaver & Bernie Krause with baritone saxophonist Gerry Mulligan. It was an exploration of the cathedral’s long reverb acoustics. Mulligan wanders through the space discovering constantly changing sound perspectives.

Beaver & Krause: Gandharva

Bernie Krause is still recording but nowadays concentrating on capturing and archiving the sounds of the natural world and finding that wild sounds are increasingly silenced by the deafening noise of mankind.

Wild Sanctuary

Frames of reference

Our Heroes Are Back!

Onze Helden Zijn Terug! (Our Heroes Are Back!) is the title of this flashmob video made to celebrate the return of Rembrandt’s Night Watch to the Rijksmuseum in April 2013. It heralded the museum’s grand reopening after a ten year restoration project. Rembrandt’s masterpiece is now back in place in the Gallery of Honour but pretty much everything else has been rearranged. Continue reading “Our Heroes Are Back!”

Frames of reference

I AMsterdam

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We took a half-term weekend break to Amsterdam. It seemed like the city was being relaunched and rebranded/rembrandted. The Rijksmuseum reopened in April following an unprecedented 10 year renovation, the Stedelijk Museum reopened last year after a 9 year refurbishment, and 2013 marks 400 years since construction began on the city’s iconic canals. Continue reading “I AMsterdam”

Frames of reference

Arcadia

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Artists’ attempts to envisage heaven on earth through painting landscapes is explored in works comprising rows of little houses built from discarded amateur pictures of idealized Nature, their facades incised with large letters to spell out mythical paradises such as Arcadia and Elysium. In Kenny’s vision the houses “become little streets or queues, identities waiting patiently dreaming”.

Chris Kenny’s recent work is being exhibited at England & Co from 12 November – 7 December.

Frames of reference