Rowley Gallery Blog
We are very pleased to welcome Tory Lawrence to The Rowley Gallery. Five of her oil paintings are presently displayed in our window. They are captivating pictures of the countryside, direct responses to being there, walking, soaking it up. The surface of the paintings is lively and worked but never overwrought. You can smell the oil paint mixed with the smell of the fields. They feel authentic; it’s clear she has looked and absorbed and distilled a true vision. Continue reading “Tory Lawrence”
Jelly Green‘s paintings of cows can be seen this weekend alongside Jason Gathorne-Hardy’s drawings of sheep at White House Farm, Great Glemham, Suffolk. Their exhibition is part of Cornucopia!, one of the fringe events at this year’s Aldeburgh Food and Drink Festival.
We are very proud to announce that The Art Wall at Kensington Place is now showing March Wave Breaking by the distinguished contemporary artist Maggi Hambling. This is one of her celebrated and continuing series of North Sea paintings, last seen in the exhibition The Wave at The Fitzwilliam Museum, Cambridge in 2010. It’s a huge and overwhelming painting and poised to engulf anyone who dares to sit beneath it! Continue reading “Maggi Hambling At Kensington Place”
Every so often Jonathan Christie brings us a few new pictures. Never too many and never too often so consequently each new arrival is always eagerly anticipated. This time he brought Ghost House, a painting of a stone cottage so thickly covered with whitewash it appeared to glow in the dark. It also happens to be on Strumble Head, like Paul Finn’s earlier lithograph. Continue reading “Artists’ Voices”
This is one big cow. It’s a new painting by Jelly Green called Water Meadows Herd #7. It measures 6ft x 4ft and for the next six months it can be seen at Snape Maltings in Suffolk. Continue reading “The Great Cow Of Snape”
I stepped out at lunchtime to buy a sandwich and found a John Constable in the street. I was stopped in my tracks by this painting in our neighbour’s window on Kensington Church Street. Such an unexpected and wonderful and privileged encounter; why are there not queues of spectators on the pavement? See it now whilst you still can before it disappears. Continue reading “A Local Constable”
Three big new paintings by Jelly Green go on show at Kensington Place from Tuesday 7th August. Their large north wall has inspired Jelly to stretch out and paint on a much larger scale than before.
The cows in this new series of paintings graze on the water meadows in the Alde Valley. One of the lovely things about this particular herd is that unusually they are a mixture of breeds from Simmentals to Belgian Blues and Charolais, which provides a much wider palette of colours and forms. These three paintings are my largest pieces yet. There is something really intimidating and challenging about working on this scale: the potential for failure is magnified, the empty space to fill completely daunting. But when they work, it’s a huge relief and a painting that is hard to ignore.
The weekend before last we went up to Suffolk to visit the Alde Valley Spring Festival. It’s at White House Farm in Great Glemham where barns and out-buildings are used to display local crafts and artworks. Appropriately Jelly Green‘s lively paintings occupied the former cowshed. Continue reading “Alde Valley Spring Festival”
We framed this drawing of Southwold two years ago. It was made by Ron Fuller and came from the Secret exhibition at the Royal College of Art in 2009. We were recently asked to frame four more from the exhibition in 2011 and so this framed postcard came back to us as a sample to copy. I was a little reluctant to give it back! It is such an evocative drawing and condenses many of Southwold’s most memorable landmarks into one composite image. Continue reading “Postcard From Southwold”
On a recent trip to Suffolk, driving up the coast from Orford, we took a detour through Saxmundham hoping I might find a fleece. The weather had turned cooler and we were planning a circular walk from Dunwich. Saxmundham was fleeceless but Sue had spotted some paintings in the window of a frame shop. They were vibrant accomplished paintings of cows heads staring directly back at us. Like a face to face encounter, capturing all the animal’s character and vitality with a few sure brushstrokes. Continue reading “Suffolk Jelly”