Ofili Cum Ovid

ovid windfall study

This is a giclée print from a watercolour, pastel and charcoal drawing by Chris Ofili, Study For Ovid-Windfall. In 2012 Ofili painted a huge backdrop for the Royal Opera House production of Diana & Actaeon, a collaboration between the National Gallery and the Royal Ballet and a celebration of Titian’s paintings of Ovid’s Metamorphoses. Ofili immersed himself in Ovid’s shapeshifting tales of transformation. His image of windfall/waterfall/shower of gold came twice for framing. Continue reading “Ofili Cum Ovid”

Frames of reference

Jungle Blues

Jonny Hannah introduced me to C W Stoneking a while ago. I should have posted this video earlier, it’s a nice piece of vaudeville hokum, a pantomime Heart of Darkness. I love it and I love the comment it received on YouTube – I’m drawing a wobbly line here but…George Formby, Hank Williams, Mance Lipscomb, Tom Waits, Nick Cave, C W Stoneking – and the reply from C W Stoneking himself – That is a wobbly line, what are you doing with the other hand?

Frames of reference

Boyz In The Wood

cssssm

I was just reading Melissa Harrison on the lifelong benefits of outdoor play and it seemed the appropriate moment to dig out this scruffy old photo. There seems to be a lot of concern about nature defecit disorder, a term coined by Richard Louv in his book Last Child in the Woods. The National Trust commissioned a Natural Childhood Report which showed how a generation of children are losing touch with the natural world. It seems we were the lucky ones, this merry band; I’m on the left, alongside Stephen, Stephen, Stephen, Stephen and Michael. We would dam streams to make pools for bathing, with wagtails and dippers and once a kingfisher; we knew perfect climbing trees with branches in all the right places, and often puddles of water in the crevices; we’d forage for blackberries and wimberries and sorrel and others too sour to swallow; we found water boatmen, pond skaters, caddisfly cases, tadpoles, newts, eggs in birdsnests, foxgloves, horsetails, sheep skulls, and a blade of grass stretched between thumbs for a birdcall. All without fluorescent yellow tabards.

Frames of reference

The Gashlycrumb Tinies

gashlycrumb tinies

There was a lot of fuss last week about Edward Gorey’s 88th birthday, even though he died at the age of 75. There was a Google doodle and he featured in The Guardian and the Los Angeles Times and at Brain Pickings to mention just three, then Margaret McLellan sent me this catalogue of gruesome infant deaths – Hi Chris, This came today. I thought you might enjoy it. Best wishes, Maggie. Continue reading “The Gashlycrumb Tinies”

Frames of reference

Radio Carbon

When cosmic rays strike the atmosphere they create the radioactive isotope carbon 14, which can be detected in living matter and decays at a fixed rate over many millennia. Radiocarbon dating is the method by which we measure prehistoric time, and with which our own detritus will one day be measured. The filmpoem Radio Carbon takes this transient yet permanent record of time as a personal metaphor, fashioning a hypnotic journey into the human past, from the neolithic to the present moment. It’s a film with eternity at its centre, the vastness of space at its core, and a reverie of images clustering to the lens like the flashing in a stranger’s eye. Continue reading “Radio Carbon”

Frames of reference