Rowley Gallery Blog
In 1987 I was commissioned by Ian Simpson Architects to make a ceiling mural for the new entrance lobby at Charing Cross Hospital, Hammersmith as part of a major refurbishment of the ground floor. It took more than a year to complete and was finally installed in 1989 after I had also worked on the mural while it was up on the ceiling. Continue reading “Garden Of Delights”
The Most Exciting Chapter is the title of this unique screenprint created by Quentin Blake for the Nightingale Project, a charity which brightens up NHS hospitals through the arts. Prints are now available from The Rowley Gallery. Continue reading “The Most Exciting Chapter”
Here’s a lovely thing, a Jonny Hannah video from Yorkshire Sculpture Park:
Visitors are invited to take a stroll down Main Street in Hannah’s vintage-inspired homage to the independent trader, until 28 February 2016. Transforming YSP Centre, the exhibition features three pop-up shops made entirely from the artist’s 2D and 3D artworks, all of which are available to buy. Navigate Main Street using Hannah’s traditional hand-painted signs suspended above the YSP Centre concourse; natter with the owner of the Record Store; and nip to The Hand and Heart junk shop to pick up anything your heart desires!
Further details at Yorkshire Sculpture Park and see more of Jonny’s work at The Rowley Gallery.
The garden has been quietly putting itself to bed for the winter. I’m a bit reluctant to tidy too much away, as dead stems provide shelter for a plant’s crown as well as a winter home for mini-beasts. Even hibernating snails are worth mollycoddling (though once I would have thought myself nuts) as they provide food for Medge the Hedge, who, incidentally, hasn’t gone into hibernation yet. Since buying a HotBin composter last year I’ve had significantly fewer slugs and snails, but that’s for another blog. Continue reading “A November Garden”
Beijing Silvermine is a unique photographic portrait of the capital and the life of its inhabitants following the Cultural Revolution. It covers a period of 20 years, from 1985, namely when silver film started being used massively in China, to 2005, when digital photography started taking over. These 20 years are those of China’s economic opening, when people started prospering, travelling, consuming, having fun. instagram.com/beijing_silvermine
Last summer, on the 10th of August, we made our first visit to Florence. We drove there without satnav and without a hitch, the roads were clear, no hold-ups and we left the car with a parking attendant in a super-efficient underground car park. It was all going surprisingly smoothly, until we hit the streets and joined the procession of pilgrims to the birthplace of the Renaissance. Continue reading “Florence At First Sight”
Grey, white and blue on grey and pink
Drawing and painting is something I do in response to what I am seeing. This practice of working from direct observation was established in my youth. It was probably inherited from my mother, a flower painter and my grandmother, a figurative artist, and fuelled by visits to the National Gallery and subsequent juvenile attempts to replicate the realism of the Old Masters. It was the Dutch 17th century painters that had particularly caught my attention and I began using oil paint and developing an art practice by setting up still lives and going out into the landscape. Continue reading “A Patch Of Order”
Portrait of my Father, John Douglas Piper – Photogravure prints, each from an edition of 12
Sheet size 20″ x 16″ Plate size 10.5″ x 8″
Top row: G-clamp, outside calipers, child’s trowel circa. 1969, scratch awl
Bottom row: lacquer brush, wrench, spring dividers, tailors shears
Continue reading “Portrait Of My Father”
The Tower of Babel was an art installation by Barnaby Barford at the Victoria & Albert Museum from September to November 2015. The tower was built of 3000 miniature ceramic London shops, and ours was number 844. When the exhibition ended the tower was dismantled and the shops were delivered to their new homes. Continue reading “No.0844”
Heaven’s Gate is a Capability Brown designed viewpoint overlooking Longleat House in Wiltshire. It’s a wonderful spot, a place to relax and drift away as the clouds unfold before your eyes.
The ground rises sharply to the east as far as Park Hill and Prospect Hill, on the top of which a viewpoint known as Heaven’s Gate looks out over the park. The slopes are planted with hanging beech woods, proposed by Brown but planted towards the end of the C18. Continue reading “Heaven’s Rope Swing”
