Frames of Reference

A November Garden

The garden has been quietly putting itself to bed for the winter. I’m a bit reluctant to tidy too much away, as dead stems provide shelter for a plant’s crown as well as a winter home for mini-beasts. Even hibernating snails are worth mollycoddling (though once I would have thought myself nuts) as they provide food for Medge the Hedge, who, incidentally, hasn’t gone into hibernation yet. Since buying a HotBin composter last year I’ve had significantly fewer slugs and snails, but that’s for another blog. Continue reading “A November Garden”

Beijing Silvermine

Beijing Silvermine is a unique photographic portrait of the capital and the life of its inhabitants following the Cultural Revolution. It covers a period of 20 years, from 1985, namely when silver film started being used massively in China, to 2005, when digital photography started taking over. These 20 years are those of China’s economic opening, when people started prospering, travelling, consuming, having fun. instagram.com/beijing_silvermine

Florence At First Sight

Last summer, on the 10th of August, we made our first visit to Florence. We drove there without satnav and without a hitch, the roads were clear, no hold-ups and we left the car with a parking attendant in a super-efficient underground car park. It was all going surprisingly smoothly, until we hit the streets and joined the procession of pilgrims to the birthplace of the Renaissance. Continue reading “Florence At First Sight”

A Patch Of Order

Grey, white and blue on grey and pink

Drawing and painting is something I do in response to what I am seeing. This practice of working from direct observation was established in my youth. It was probably inherited from my mother, a flower painter and my grandmother, a figurative artist, and fuelled by visits to the National Gallery and subsequent juvenile attempts to replicate the realism of the Old Masters. It was the Dutch 17th century painters that had particularly caught my attention and I began using oil paint and developing an art practice by setting up still lives and going out into the landscape. Continue reading “A Patch Of Order”

Portrait Of My Father

Portrait of my Father, John Douglas Piper – Photogravure prints, each from an edition of 12

Sheet size 20″ x 16″ Plate size 10.5″ x 8″

Top row: G-clamp, outside calipers, child’s trowel circa. 1969, scratch awl

Bottom row: lacquer brush, wrench, spring dividers, tailors shears

Continue reading “Portrait Of My Father”

No.0844

The Tower of Babel was an art installation by Barnaby Barford at the Victoria & Albert Museum from September to November 2015. The tower was built of 3000 miniature ceramic London shops, and ours was number 844. When the exhibition ended the tower was dismantled and the shops were delivered to their new homes. Continue reading “No.0844”

Heaven’s Rope Swing

Heaven’s Gate is a Capability Brown designed viewpoint overlooking Longleat House in Wiltshire. It’s a wonderful spot, a place to relax and drift away as the clouds unfold before your eyes.

The ground rises sharply to the east as far as Park Hill and Prospect Hill, on the top of which a viewpoint known as Heaven’s Gate looks out over the park. The slopes are planted with hanging beech woods, proposed by Brown but planted towards the end of the C18. Continue reading “Heaven’s Rope Swing”

Chasing Golden Light

A few weeks ago we went back to Epping Forest, before the leaves all disappeared, to soak up the seasonal colours and recharge our batteries. We’d been away far too long. It was the day we put the clocks back an hour, when darkness suddenly comes too soon. It was a beautiful autumn day but it felt like the sunlight was rationed and we hurried to catch the last of it. Continue reading “Chasing Golden Light”

An October Garden

There seems to be a lot of pink in the garden at the moment. Not a colour you normally associate with autumn but welcome nonetheless. Grouped together are Schizostylis (easy to say when you’ve had too much grape juice), antirrhinums and geraniums. Continue reading “An October Garden”

Mad Dogs & Englishmen

The Tedeschi Trucks Band at the Lockn’ Festival in Arrington, Virginia two months ago performing a tribute to Joe Cocker, featuring songs from his classic live album Mad Dogs & Englishmen, with a little help from their friends, original Mad Dogs: Leon Russell, Rita Coolidge and Claudia Lennear.

The Tedeschi Trucks Band are appearing tonight at the O2. For a reminder of their last visit to London see our earlier post – Mavis, Susan & Derek.