Corr Blimey!

I love this picture. It reminds me of a ‘fayr feeld ful of folk’ from Piers Plowman. Christopher Corr made it for a client from London now living in Washington. The brief was to paint the view from Parliament Hill with all London’s landmark buildings plus Gospel Oak lido and running track. He cleverly reversed the viewpoint so we’re looking back down on this earthly paradise. Click on the image to enlarge it and explore it in detail. The painting measures 106 x 74 cms. Continue reading “Corr Blimey!”

Frames of reference

A London Panorama

This is Claes Visscher’s Panorama of London in 1616. Click on the image to enlarge. It is a rare hand-coloured Victorian facsimile of the original engraving and is over two metres long. It is shown here courtesy of Peter Harrington Rare Books. I discovered it via Peter Berthoud.

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Battersea Power Station

Christopher Corr painted this picture for Dominic. Unfortunately whenever he looks at it Dominic feels sick. Hopefully he’ll get over it, or at least down the side of it. He is planning to throw himself off the top of it on Sunday. Please offer your support and words of encouragement here.

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The Trees Of Aldgate

They seem to be mostly larch. This intricate timber frame construction is made from 17 cubic metres of larch. It stands on a traffic island by St Botolph’s church at the start of the A11, the road from London to Norwich, and it marks the place where the Aldgate once stood. Continue reading “The Trees Of Aldgate”

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Eggardon

During the last few years I have become increasingly interested in certain distinctive downland hills such as Melbury Beacon, and hill forts such as Hambledon Hill and Winkelbury Hillfort. These either in Dorset or Wiltshire where the short turf on the chalk helps in defining their underlying structure, and where these hills often rise quite steeply from their surrounding valleys. I am also interested in the way artists often get involved with a subject over time, as I frequently return to a theme again and again. Witness Paul Nash for instance and his preoccupation with the two hills at Wittenham Clumps. Continue reading “Eggardon”

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Super Kuper

Mary Kuper just brought us a new consignment of paintings. This one is of Simonsbath, Exmoor and the River Barle where Mary was swimming earlier this year. She uses thin glazes of oil paint on board and adds small brush strokes and scratched marks drawn into the paint, creating a richly textured surface. Continue reading “Super Kuper”

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Holloway

One of the many highlights of our recent trip to Cornwall was one that I took with me. Just a couple of days before we left London I received a copy of Holloway, a book by Robert Macfarlane, Stanley Donwood & Dan Richards. I kept it unopened in its Jiffy bag with Dan’s handwritten label and best wishes until we arrived, so that it became a part of our holiday. Inside, when I finally opened it, was a beautifully printed and illustrated book that told of the search for an ancient Dorset holloway, previously visited by Macfarlane with Roger Deakin. They were looking for the hide where the hero of Geoffrey Household’s novel Rogue Male went to ground. I’m not sure which I knew first, Household’s book or the film with Peter O’Toole. The abiding feeling was not so much of threat but of the safe harbour to be found beneath trees. Continue reading “Holloway”

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Tea For Two

The Mermaid Café is Jonny Hannah’s ideal music venue. You can call in for a coffee or a beer, or the house speciality carbolic milkshake, and share a table with Joni Mitchell whilst you listen to Woody Guthrie or Slim Gaillard or maybe Bo Diddley. Today Anita O’Day is on the bill. Continue reading “Tea For Two”

Frames of reference